Water Unfrozen

Through the centre of Ambleside, like many Lake District towns and villages, runs a stream. When wet, it can be quite a torrent as it runs over a series of ledges; Stock Ghyll once powered so many mills in the town that it had the nickname of Rattle Ghyll. However, it took me several years to realise that just a short walk upstream is something far more dramatic.

Stock Ghyll tributary running under the footpath.
(Click to enlarge)

Just outside the town there is a rather lovely circular path through woodland alongside the stream that was engineered by the Victorians. The first photo shows where a small tributary stream is crossed early on in the walk. The bridge is almost invisible from the main path, most people seeing it only on the return journey if the arrows are followed. (I prefer going sunwise as I am perverse, and also it is prettier if I am not planning to return directly to Ambleside.) Below the bridge are some stepping stones, from where you get a wonderful view of this beautifully built gateway into another realm – as well as the easiest place to dip a hand in the water.

Continuing upwards, whichever side of the river you walk there are several different viewpoints from where you can see the main waterfall, the 70 foot high Stock Ghyll Force. Some of these still have the Victorian ironwork in place; others are very muddy and are less protected.

Stock Ghyll Force
(Click to enlarge)

I have seen the falls at lower water levels, when most of the water falls river left (ie the right hand side as in the photo), but what I liked on this occasion was the near perfect balance of the two falls, which then come together to make one. It always feels a good place for me to connect with falling water, especially going sunwise so crossing above the falls (the wooden bridge is just visible) before following with the water in the direction it is flowing in order to see them in their entirety.

These pictures were actually taken in February, when the previous snowmelt was underway. I had every intention of posting them on our return – and then the snow arrived. I just couldn’t connect with running water! Now the snow has melted again here, I finally felt ready to edit the photos (as the colours didn’t come out the way I saw them) and to write about the waterfall, however briefly. So I learned something about myself at the same time, and how I live in ‘now’, at least as far as weather is concerned!



Before my daughter was born, I used to go Wombling regularly in the winter months, collecting rubbish along the local footpaths I walked, targeting a different area each time. Now she is at school, and I am able to walk a little easier, I have been at it again.

For those not familiar, the Wombles were furry little creatures who lived on Wimbledon Common, created by Elizabeth Beresford in the late 1960s in a series of six books and later turned into children’s television episodes. They collected all the rubbish they could find, then carefully sorted it for reuse, having great stores of everything from usable paper to string to building materials. In those days there was not much plastic, and rubbish was collected every day before it got rained on. Today paper usually biodegrades by the time I am collecting, but plastic, glass, aluminium and steel can remain in place under plants forever if it is not removed. I collect in winter when the plant growth has died down, and often at the new moon as it feels like a good time for renewal.

It is a satisfying activity from the point of view of seeing the massive difference it makes to clean up an area, and I can almost feel the land sigh with relief when I have removed all the waste that should never have been left. I always feel the energy itself change as well; I have noticed that when I have started to clean a bad area but run out of time or bags (which of course are not given out free by every shop as they were 6-7 years ago!) as if by magic someone else comes along and finishes the job. Council, scouts, community payback, whatever. If this continues, then I will try doing small amounts by roads I want to see cleaned up and hope those better equipped and better protected from traffic can finish.

Most of what I collect is rubbish that should have been recycled a long time ago. Sadly I do not have the capacity to sort the rubbish, nor can I take it all home and put it in the correct bins – I usually find the nearest bin with space to leave that day’s bag in. But just occasionally real treasures get found and given a new home. Over the past 10 years these have included:

  • A complete set of plastic picnic gear, beach towel and bag, only slightly eaten by small creatures. (The bag proved essential for carrying the rest out, including the food rubbish.)
  • 6 Hammers of different types, found by roadsides.
  • Lenco Turntable, excellent condition and still in use by us after a decent base was built for it. Better sound quality than the one we had, after a quick arm and stylus swap, although we disposed of the cabinet.
  • Glass Marbles.
  • Money – usually given to charity if found in this way. Now that notes are being made of plastic, I wonder if there will be an increase in the number found at the bottom of hedges?
  • Moles … Again!

    There are grass verges in front of most houses at the outskirts of our village, a legacy of Edwardian planning, setting the houses back from the road. Most of the verges are neat, mown regularly by the council, though occasionally covered in wheel tracks or removed altogether where space is needed for parking. Ours currently is not neat or tidy. Ours is completely covered in little brown molehills, where a small, black creature has evidently been digging in circles.

    When I started this blog, I asked which animals would like to help me and offer their support. The result is the sketch I made at the top of the page. One of these animals was the mole, who made himself known to me in the same way as he is now, by making molehills all over the place. And then disappeared as silently and completely as he had appeared.

    So now he is back, I felt he had a message for me.

    Unfortunately with the holidays my meditation time was massively reduced, my focus has been elsewhere, and I never made the time to simply ask Mole what he had to say. Instead I spent three weeks being puzzled. Not annoyed with the destruction of the otherwise perfect lawn – it is winter and no one is harmed by a few molehills, but it is so extreme as to be very odd. And then suddenly the penny dropped.

    Molehills on the grass verge.

    I have been working with the elements individually, something I do every so often in a cyclical way, deepening my connections each time, and this time started with Earth knowing I find that element hardest. It is also the element of the North, and of Winter. A good time of year for working with rocks, crystals and other gemstones indoors, and going for (short) walks on Derbyshire gritstone, but not for gardening and connecting directly to soil with my hands. The ground in my garden has alternated between frozen or waterlogged for the past three weeks and certainly wouldn’t be helped by digging or compacting right now. But then I looked again at the molehills. Perfect soil, not frozen, not waterlogged, already loosened for me. Created by an animal of the Earth. So obvious in retrospect.

    My original intention had been to try meditating with some soil indoors, just as I had done with different types of rock – one from my pond, another I brought back from Wales last summer, etc. Soil is after all the basis for trees, which I have never had a problem connecting with! But when I got outside I realised I had already done all the indoor work I needed to, exploring loam, sand, silt, clay etc. and how they relate to different types of trees growing, and if I did any more was in danger of becoming so Earthed that all would reach a standstill. I needed to be active, practical. So instead I had a really enjoyable time raking all the little heaps level, seeing the various qualities and ingredients in the soil that help plants to grow and moles to feed, and marveling at how much the soil can vary in colour and texture even over quite a small area. Not only that, but I managed to do it in the only hour of sunshine for about three days. A really lovely working meditation. So thank you mole, and I expect it is goodbye again for now.


    Janus looks both ways, forwards and backwards, reminding me that both matter. So as the new year begins, I am reflecting back on how much is different to what I had imagined. I have written already about my tendon injury. While it continues to heal, I have changed. I am no longer dreaming of all the physical things I hope to achieve; instead I am grateful for each thing or outdoor experience that does happen. Possibly this is self-defence, in that I don’t want to get my hopes up again. Yet I have found an inner peace and happiness in just being. I no longer feel there is always more I could or should be doing.

    My rhythms are constantly changing, dictated to me by outside forces. A year ago I promised to meditate more; had I not managed this I would be lost. Yet within that there are times when I have plenty of meditation space, and other days or weeks that feel crowded by activity. Somehow everything gets done, even if never in the way I plan it.

    Writing is something I have long dreamed of spending more time doing, and yet when I had three weeks of enforced hip rest and no interruptions I quickly ran out of things to say. Staring at a blank page of fiction suddenly felt self-indulgent and I realised my family needed me. I no longer need to prove to myself that I am ‘somebody’ because I write; I have a job as a homemaker, decorator, gardener, seamstress, cook, mother, lover … and am loved and valued for it. Even my blog has taken second place at times – if I didn’t have something to say that fits the very broad definition of either pagan or crafting, then I decided to ease up on myself. Once or twice a month is sometimes what I can manage, if I am concentrating on other things.

    Looking back, there are two things that have changed me. One was realising my happiness depended on what stories I told myself. I had the power to be happy or not in any situation, depending on how I interpreted it for my conscious self. (See my comments about happiness under Samhain Quilt in October 2017.) The second was some recent journeying experiences of being some kind of woodland elf. Most people have had past lives, to which windows are sometimes opened, usually revealing a previous human existence or series of existences. Mine, so far, are not. They are of living as an advanced elemental in freshwater, or in woodland, the two environments I am most at home in, that give healing to me just by being there. (Unlike the ‘seaside / blue skies’ pictures or holiday places generally recommended to get healing and calm.) I do not fully understand these memories / experiences yet so haven’t written much about them (the first was 2-3 years ago, most were 2-3 months ago), but I am wondering if this life I am now in is about learning to be a human being. I often feel myself in this life as a hazel tree going off in all directions with no strong central trunk, but all weaving together to build a strong support. I would often prefer to be single minded, an expert at something, yet this is never the way things work out and it doesn’t seem to matter. Believing what I now do it makes some kind of sense and also deepens my love and respect for the Great Spirit that is in everything and knows all.

    So looking forwards, I have no plans, and no strong desires. I will simply trust that everything comes in its own time, and that there is more to come.
    If there is one challenge to set myself this year, it is to love more, to see the good in everyone and every situation, even when I am not feeling calm inside. In other words, be a good human being.

    Sewing in Circles

    Knotted Button

    A winter coat … and an opportunity to try out some different knots. These (there are three, but it didn’t feel right to photograph the whole thing) were fun to make, although a little tricky. I like to use knots to bind good emotions for the wearer, and it felt good to have three circles in each.

    Three is an important number in Neolithic and Celtic art – I think of the triskele with its three spirals, or the triquetra of three interlocked semi-circles. There are three realms to our world: Earth, Sea and Sky, and within these we live through three stages of life: maiden, mother, crone. Our health is often seen in terms of Body, Mind and Spirit. When we journey, we choose Upper, Middle or Lower Worlds to explore.

    Goddess Brigid has three aspects, as does The Cailleach. Badb, Macha and Morrigan work together and are collectively known as The Morrigan.

    Three makes me think of a tripod, or a milking stool, perfectly balanced no matter what the terrain, each leg supporting the others. It is the potential of two parents with a child. A triad in music is a perfectly balanced chord, major or minor, that forms the root of Western harmony.

    There is a lot of energy stored in three-ness, as there are always forces acting together. It is not a stable energy like four is, there is constant change, growth, development. Things can happen. The triskele has three legs going out from the centre, balancing yet full of movement, looking outwards. The child will pull forwards. Triple Goddesses include Creativity. Triads can become counterpoint and fugues as well as chorales. Yet there is perfection and completeness within that three-ness.

    Sewing these knots on took longer than making them, and needed me to turn the coat on each stitch. Definitely sewing in circles.

    Black Bryony

    Black Bryony berries garlanding its way through the ivy.

    All autumn I have been enjoying the sight of black bryony berries garlanding the hedgerows. They are of course a fairly common plant in most of England, but one I only tend to see once the bright red berries have ripened. The flowers are fairly small and insignificant.

    Black Bryony in Hawthorn hedge.

    I have wanted to take a picture of the berries before, but mostly I see them while cycling, along roadside hedges that are not always good places to walk with a camera. They also drape themselves so sparsely that they don’t frame well. Then this year a new cycle route was opened up to me (see earlier post, Cycle Roads) and it grew in these traffic free hedges in such profusion that I wanted to have a go. A month ago the leaves were still yellowing and showing their bindweedy shape, but now they hang brown or have dispersed into the hedge bottom to be recycled into next year’s crop. Getting camera, weather, time and leg that can be walked on all together has taken some time… (These were taken with our old compact camera – the DSLR camera I got this year would have done a better job at putting the background out of focus and letting the berries shine, but would have added an extra weight / balancing challenge I wasn’t ready for. Work in progress!)

    There are two bryonies, named white and black after the colour of their roots, both looking very similar for most of the year since they each have mid-green ivy-like leaves, small insignificant greenish white male and female flowers followed by red berries, and they climb up hawthorn with abandon. However they are completely unrelated to each other. White bryony, Bryonia dioica, is a member of the curcurbitae family (ie courgettes and melons) so climbs with tendrils, and is dioecious, while Black Bryony, Tamus communis, belongs to the Dioscoreaceae family (ie yams), climbs by twining, and is monoecious. Both are poisonous in all parts.

    Black Bryony berries and ivy.

    Black bryony berries and juice or pulp from the root have been applied directly to the skin for bruises, strains, gout, rheumatism and hair loss because the calcium oxalate it contains as crystals irritate (or stimulate?) the skin. It has also been used to cause vomiting in careful doses, and when mixed with wine or honey, black bryony has been used for gravel or asthma. An overdose is likely to cause a painful death however. All parts also contain saponins, another poison, although one which is normally deactivated by cooking – but the young shoots are cooked and eaten like asparagus in southern France, Spain, Portugal, Italy, Croatia and Greece.

    I managed to meet Black Bryony in meditation, and found a very interesting energy which was willing to communicate with me, appearing briefly in a dark female form and very beautiful. Its element is fire, and its focus is transformation – hence is medical uses. But transformation can be destructive to some if they are not willing to change, to let some parts die down. It was used in alchemy for this purpose. [I cannot find any evidence for this as yet, although I’m not an alchemist so it may turn up…] It has been particularly active along the lane to create the transformation that I have seen this year. It has developed strong roots in the course of this work so will continue to grow well there, but doesn’t need to spread further. It also brings harmony, creating links between species. It does not help the fiery aspects of will, or of strong focus and intention.

    Black Bryony makes a garland under a hawthorn branch.

    Samhain Quilt

    As the pagan New Year approaches, I have been making preparations by completing the next quilt (or altar cloth or display cloth depending on who I am talking to) for my display, and also buying a pumpkin and deciding what to carve into it.

    The quilt design is still based on 2” squares, but this time there are many triangles incorporated – which sometimes combine to make diamonds. I wanted a lot more movement in this quilt than the one for the equinox, reflecting the flames of this fire festival. Change can happen. New seeds can be sown in the Earth to put down roots through the winter. Ancestors can peek through the cracks and offer their advice and support. My colours are perhaps a little clichéd, but they are what felt right from my scraps pile – which may even fit in its cupboard again by the time I finish all 8 quilts… Now I just have the enjoyable task of creating my display on top, which like all of our displays will find ways of connecting to the seasons as well as the Sabbat, in this case Samhain and our ancestors being remembered.

    Samhain Display Quilt

    The vibrant orange in the quilt is almost identical in colour to the pumpkin I have found for this year. Pumpkins are a vegetable I have been carving for over 40 years now; I can remember primary school days when other children brought in carved turnips and swedes, and thinking what hard work it looked and why didn’t they just use a pumpkin? The bits we cut out of pumpkins tasted good in pies as well, mixed with enough sugar, eggs, cream and spices, whereas I don’t think we even ate turnips in our house. However as a child I just carved a face each year, whereas as an adult I like to carve more meaningful designs. One side to represent what has been important to me in the past year, the other to sow my seeds, hopes and dreams for the next year. I usually start thinking about what I will carve a week or so before the day, when I see what size pumpkin I have.

    While planning a design always involves a period of reflection for me, as all spiritual art must come from within, this autumn it has been particularly intense.

    I mentioned when writing about my Mabon quilt that I had hurt my hip and leg. I have no idea what I did, or exactly what is wrong, but walking and sewing are still very tricky for me, and as for any of the plans I had for when M was in school full time, my leg is clearly telling me they were the wrong plans. Luckily I have found cycling is even better than the physio exercises and really enjoyable in this mild autumn weather. Meanwhile I have had a lot of meditation time to think about what direction I should be going in.

    The strange thing is that at the end of all this, I realised there is nothing I need to be doing right now except what I have been able to do – which is to look after my family and myself. Except now I have a very small difference in my approach. I value each person equally, including myself as an equal. I am ignoring messages from the media of what I should be doing to value or look after or pamper myself, because I don’t need it. I have no lack, and I have nothing to prove. As a result I am happier than I have ever been before as an adult. I know that even though I cannot do much right now, I should just enjoy the resting period. The future might suddenly be a lot busier.

    So after all this thought, I plan to make this year’s pumpkin a joint family carve, using cookie cutters to make pictures since the first two requests of fairy and frog should be easier cut that way than freehand. I did a frog last year as well; it must have worked since our tadpoles have been hopping around the garden for the last two months. This year it might go on the thank you side.

    Pebbles on the Beach

    I can never resist picking up pebbles that catch my eye on a beach. It is a strange thing however, that once removed from the beach the majority loose their charm. I try to find pebbles that represent the place where I am, that capture the beauty of the place. But it is impossible to do this with one pebble, because each pebble is made up of just one type of rock, whereas a beach is normally made up of several kinds of rock, each a different colour and texture. Nature blends them together in a perfect harmonious picture.

    Instead I look for ‘favourites’. But it is not the individual charm that I then notice, but the extraordinary. The ones that are different in some interesting way. Like a grey pebble with a perfect band of white quartz running around it, or a pebble with a hole through it. Sometimes I like the colour of a particular pebble, but often when it is by itself it no longer has the same brightness, for the contrast with the other pebbles has been lost.

    And yet, I have become aware recently of how the concept of favourites creates a duality that wasn’t there before.

    We are said to live in a world of duality. Dark and Light, male and female, wrong or right, loves and hates. Best friends or other friends. Favourite toys. I realised recently how I am becoming conditioned to ask M ‘which is her favourite?’ or ‘what did she like best?’ in any given situation. Questionnaires getting to know your child, or activity sheets and books have a little box to write in a single answer. It can be a way for strangers to try and understand her likes and dislikes a bit better, but I am sometimes forcing her into judging. Of creating a hierarchy. Luckily she appears not at all susceptible to judgment in this way as she rarely gives me a straight answer – and if I am attentive I can work out for myself what the important things in her life currently are. I can also ask much more open questions, and get more considered responses as a result.

    Yes there are times when it is important to choose only one of something, and that can be a useful skill in itself, but I have found myself going too far in the other direction and trying to narrow down every selection unnecessarily. A garden of flowers for example, and I find myself asking which I like best. Or a collage of butterflies. It is meaningless; they are all beautiful. So as we approach the equinox, I am seeking balance over when I do need to be selective, and when I should just enjoy the full diversity of this bountiful Earth. Here is my colourful selection of pebbles from the beach this summer.

    Beach Pebbles

    Dragon Hill

    I found it. Next to the White Horse at Uffington is a small, flat-topped hill, supposedly where the dragon was slain by St George. Or St Michael. Nothing will grow there now; the dragon’s blood has apparently spilt everywhere and poisoned it.

    Stories of dragons being killed are not likely to induce me to visit a place by themselves; given that Fireball had said he would meet me there (see previous two posts) my immediate reaction was to try and investigate the truth of the hill. It turns out to be quite interesting. The hill is entirely natural, but its top was quarried off in the bronze age or earlier to leave a flattish wide area a little larger than the average stone circle. The reason nothing grows is because there are very high levels of potash in the soil, indicating that huge numbers of fires have been laid there over a long period of time. So I was quite looking forward to what I might find there.

    A visit was planned (it wasn’t too far from where I grew up), the day booked, the forecast was good. Then as the day approached, the forecast got worse and worse – I had no walking boots or waterproof trousers with me having traveled light on the train with M, and while a small amount of dampness could be coped with, the promised day-long deluge could not. So the evening before, when everything looked impossible, I said to Fireball that if he wanted to meet me on Dragon Hill then he would have to do something about the rain!

    Luckily he did. The morning started badly with one delay after another, but then I decided to trust that there was a reason for all the delays, the weather was checked again and lo and behold the front had moved much faster than previously expected and should be clearing around lunchtime. We took a dry diversion to look at some medieval stained glass on the way, and did indeed arrive exactly as the rain eased, giving us a dry picnic and afternoon. Thanks Fireball!

    I visited the horse first, which having just had its annual ‘chalking’ completed the day before was looking stunning. It is amazing to think that if just ten years went by with no one rechalking the horse, it would be lost, probably forever. The horse has now been shown to be over 3,000 years old, thanks to methods of dating the soil in the bottom of the pits containing the chalk. In that time the horse has gradually worked its way UP the hill, so is now more easily seen from the sky than by people in the area – there are suggestions it once acted as a ‘flag’ for the tribe who lived there. Maybe there were once many more such pictures on the hillsides, such as the Cerne Abbas Giant and the Long Man of Wilmington, but they simply weren’t cared for over the centuries.

    Next I walked down to Dragon Hill, a large zig zag of a path at present to reduce the damage of walking down the steep spur of the hill. The alternative route is less steep, but doesn’t connect the two. I mention this, because once I was at the top of Dragon Hill, what really made an impression on me was the way in which each part connected. The fires of the hill, huge, held at times of passing or special ceremonies, had most of the watchers down below on a flatter area. Then the procession up, along the line of the horse, to the fort beyond. However, after sitting a bit longer I felt that for a small number of people the journey would be in the other direction. Possibly their last journey on this Earth. Most people would not have walked the line of the horse however; unless they or the event was special in some way, they probably would have taken a route nearer to the zig zag one I took, part of which was worn deep into the ground. Finally I looked down to the area called The Manger, where the horse is said to descend to graze on moonlit nights, and realised how green it was there compared to the dry chalkiness of the ridgeway. It would have been an excellent place for animals to graze, as it still is now.

    I returned to the area later in a meditation journey, and realised I had already received one of the most important ‘lessons’ for me at this special place: to look at the relationships between different aspects of places, seeing a more holistic view of the landscape rather than just one key point. The shape of the land, to really feel it and connect with it, how it was formed, how the different aspects relate to each other and why this site possesses such innate power. This power was of course recognised by the bronze age tribe who lived there, and I started to see glimpses of what might have been.

    Some distance away is a long barrow known as Wayland’s Smithy, or on older maps as Wayland’s Smith Cave. Legends also connect this to the white horse, who is said to go there every hundred years to be shod. (The last time he went was apparently in 1920, so a visit is almost due…) However I was surprised to feel little connection between the two sites, and unlike the similar, larger barrow at West Kennet, did not feel any strong energy flows here. My feeling was that it was used at a different time period to the fire hill, possibly also by people who lived in the fort and deliberately planned it some distance away in order that it may be quiet there. Separated by space. It does however have a magic of its own due to the trees that surround it. Beech and not particularly old, they provide shelter and protection, preventing the energies of the place just rushing out along the much used track which is the ridgeway. It is static, feminine, and a good place to connect with the Earth since the chambers are so low that it is necessary to crouch down very small.

    Rowan Trees

    Rowan Tree growing in the mountains near Beddgelert. (Click to enlarge.)

    Rowan has long been known as a witches tree and for protection. Amusingly, it is used both by witches, and also to protect from witches; this often took the form of two sticks joined together with a red ribbon and hung over a doorway, or a branch with berries laid over the mantlepiece. Rowan was often used to protect animals; cows in their stable, or sheep jumping through a hoop at the beginning of May. Its energy qualities are light and air, and these are so strong that they can transform any darkness around them, hence the protection that follows. It certainly grows well in light and airy places, such as the sides of mountains, needing no shelter for itself but looking after other trees until they may stand alone.

    Rowan is also known as the ‘quickening’ tree or Quickbeam, as its energy gives life to projects encouraging them on their way. Without a burst of energy, such as the rowan can provide, creative ideas are lost and do not manifest in the physical world, or projects are started but abandoned before being completed. I suspect I have Rowan to thank for the many things I actually manage to get finished and then write about here!

    Rowan appears in many old myths and legends, being considered sacred in many different European cultures. This may have something to do with its colours, as red berries were powerful symbols of life and death. It may be because of this, or it may be its lightening and quickening properties, or it may be the flowers that were sometimes used for a visionary aid that have led it to be planted around ancient sites – such as the thickets that grow in Iceland. Rowan trees were sometimes planted in Britain on energy points instead of standing stones and in churchyards in Wales in place of yew.

    Rowan trunk

    So now I will return to the story I began last time, about meeting the dragon Fireball at a rather special rowan tree in Wales. This tree is growing half way up, or rather down (the direction we were walking) a mountain valley near Beddgelert. The first thing that struck me was its size; the trunk is beyond what I could get my arms around, which makes it the largest rowan tree I can remember seeing. So I stopped to spend a few minutes with it.

    Rowan branch

    Around the back was a branch that had been cut off at some point several years ago, and the tree had almost grown around the stump of the branch, another thing I don’t usually associate with rowan. And the third thing was a pool by the side of the tree, showing how it had grown so strongly, and also giving it a connection with other worlds in a way I might usually associate with willow or alder or occasionally oak but not rowan.

    So I walked around the whole tree, stopping at a low branch to admire the bark, and who do I see but Fireball playing around the spaces between its branches. He didn’t seem to want to talk, just play, but told me I could travel here from my own rowan tree at home any time I wanted to. I suddenly understood what the concept ‘group soul’ means in practice: all rowan trees have the same basic core, which comes through in their teachings and wisdom, in their energies, but all are also connected at another level. While it is easier (for me at least) to connect with and talk to older trees, a young tree is still part of that bond and can link to the others if I make use of that link. The fact that I travel between oak trees regularly serves to emphasise to me at least how this applies to all tree species.

    Rowan tree where I met Fireball, with pool to the left.

    The second thing I learned while at the tree was the particular ‘feel’ of Rowan energy. I have sensed it through smelling the flowers, but since I have never come across a Rowan tree of this size before, I have never truly experienced its unique qualities. I would know it again anywhere now, even from a small tree, just like I can recognise the energy signature of oak when I can’t see one along with a few others I know fairly well (eg beech, hazel, apple, birch, willow, heather) when I make the effort to connect to them.

    Later, I managed to ask Fireball about the tree, and the legends of Rowan trees and earth dragons, one supposedly marking or guarding the other. (I have read of the relationship both ways around, but I like having things confirmed for myself and explained in a way I can understand them.) However, I learned nothing about the legends on this occasion! (Well he is a fire dragon not an earth dragon…) But what I did learn was that he just loved the energies of the tree and loved playing in it, in the same way elementals played in trees or other places sometimes. He reminded me about the joy of playing, of feeling, of exchanging energies, and of a story I read long ago of a very psychic person ‘visiting’ some distant ancestors at a remote spot playing in the sea, who just liked playing and took energy from the waves, the sun. Being at one with them. Fireball has a relationship with Rowan, especially when in berry, while other elementals have relationships with different trees; each type of tree has its own friends who associate with it, like attracting like. He reminded me of the particular elementals of hazels, of birch and of oak that I have seen on rare occasions. They all work together and are happy to do so.

    Yet Fireball is not an elemental. He has nothing to do with the growth or development of the tree. His only reason for being there, as far as I can tell, was in his role as teacher. To show me the place, and to help me become more aware, and to enjoy Just Being as well.