Blackwell Stone “Circle”

Blackwell Stone “Circle”
(Click to enlarge.)

Here is a Peak District novelty that I happened to spot on the way to somewhere else, and stopped to take some photographs on the return journey. Five large stones placed in an arc on a raised bank in the middle of a field, near the hamlet of Blackwell, clearly visible from the B6049. Grid ref: SK1267.7194 (last digits approximate – it is private land so I didn’t enter the field and pace out the exact position.) At first glance it might appear to be the remains of a stone circle.

However, as a circle, it doesn’t quite fit and I suspect it isn’t really trying to. The stones are limestone, whereas Derbyshire stone circles are all on gritstone – apart from the much older henges. Their size and shape also feel incorrect for a historical circle, since nearly all are ‘female’ in shape and are too close together proportionally. (Avebury alternates male and female for example, other circles are nearly all male.) Being approximately 3-4 feet high, this is also unusual for Derbyshire as most circle stones are either considerably smaller, or 6 feet plus. And the bank they sit on was probably created to support the stones and shaped around them, it does not continue to complete a circle but slopes off evenly in all directions before the ground rises again near the wall.

And yet… There is a totally unexpected power and majesty of these five stones erected carefully and precisely by human hands. They line up neatly in their arc with a precision many circles lack, and they are substantial lumps of rock. Even if it can’t be called a circle, it is an intriguing rock sculpture and deserves praise for that alone.

I was unable to meditate with the stones, given they are on private land, but I did return to them in a mediation journey later.

My first impression was a surprise of how strong energy links there were between the stones. They had come from the same place and were all strongly connected to each other, and that was replicated in their alignment. It made me see how other stone circles could easily build up such a strong energy field around the circle. However I then tried to feel beyond the stones, even within the arc, and there was nothing. If I had ever been in any doubt that this was never part of a circle, this would have confirmed it, as there was absolutely nothing across the empty space. Not even a path where people might have walked from the nearby farmhouse to the stones. I have found that it is usually possible to feel the energy of where stones were and feel the circle even when it is not visible, but that wasn’t the case here. Possibly this is an opportunity missed – there are other circles around with only 4 or 5 large stones, eg see photos on my blog about Duddo Stones, Northumberland, and also elsewhere in Derbyshire that I haven’t written about yet. But more likely whoever erected the stones just wanted them to feel like part of something bigger, and maybe one day there will be more.

The other discovery of interest from my meditation was that the stones were each already quite weathered and shaped, and I could see how this would increase over time making them each into sculptures in their own rights. Some would hold water, others would develop fissures and other interesting shapes, but all seemed to have somewhere smooth you could run a hand over.

Froggatt Edge Stone Circle

Finally. The first circle in my quest to visit, meditate at, and photograph all the stone circles in Derbyshire…

Froggatt Edge Circle

A first view of Froggatt Edge Stone Circle as approached from Curbar.

Froggatt Edge circle, also known as the Stoke Flat circle, is one I must have unknowingly walked past twenty years ago, yet never saw on the ground. Only a short way off the path, it is easily missed even in Winter unless you were deliberately looking for it. In Summer bracken would surround it and make it harder to spot. In my defence, at that time the circles I was most familiar with were Stonehenge and Avebury in Wiltshire, and possibly Castlerigg in Cumbria. I had no idea that such small, indistinct circles even existed. So when looking at options for a family walk, with requests for some rocks to climb and somewhere not too wet after a week of rain, I was keen to return to the area and see if there was anything there.

My former ignorance is fortunately not shared by others, and besides photographs and maps for most Derbyshire circles being available online, there is also an excellent book ‘Stone Circles of the Peak: A Search For Natural Harmony’ by John Barnatt, published 1978 with detailed drawings and alignments of each circle he surveyed. However, I made a decision not to research this circle in any way beforehand, reckoning that I should be able to find it with some fairly simple navigation from the map, so that I could have my own impressions uncoloured by others. I have instead used the information available to fill in the gaps afterwards.

Tall Rock

Tall rock by entrance.
(Click to enlarge)

The circle is actually quite large in the area it covers, approximately 18m across, but there is only one stone above waist height and a few knee high ones remaining. There is however a slightly raised bank forming the ring, so that the stones that remain do look and feel as if they are indeed part of a circle. Unusually the stones are on both sides of the raised ring, suggesting to me that either they have been moved at some point in the past, or it once had a double ring of stones, inside and out. (John Barnatt suggests the latter, in common with Ewden Beck / Broomhead circle some 12 miles further North into Yorkshire. But see also below.)

I took a few photographs as I approached the circle, then I put the camera away and entered by the tall stone as that felt like the ‘way in’. It had a deep hollow in its top, filled with water. After feeling my way to being at home in the circle, I then chose a rock to sit on – in this case a ‘smiling’ rock called to me and proved incredibly comfortable, the perfect height, size and flatness for sitting. I felt very welcome, and even loved as I sat there.

Smiley Rock at Froggatt Edge Stone Circle

Smiley Rock at Froggatt Edge Stone Circle, showing stones on the opposite side of the ring in the background.
(Click to enlarge)

The first thing that struck me was how peaceful it was. There were strong gales blowing that day, making walking difficult at times, but being just slightly back from the Edge the circle was almost windless. It also seemed undisturbed by the popular path running almost alongside; the only other people I saw take any notice of the circle that day were with someone who, judging by conversation, had recently done an archaeological survey of the area and wanted to show it to them. Everyone else simply walked on by.

Sometimes sitting on the edge of a circle makes me feel slightly uncomfortable, being aware of the boundary energy-wise. I didn’t feel that here – possibly because the boundary was further out, at the outer edge of the bank – but neither did I feel so energised that I couldn’t stay for very long within the circle as I have felt elsewhere. Instead I had a real sense of the circle as as a stable and complete form and me as part of that. This is a rare true circle, not egg-shaped as is common, and I could really feel that as a stillness and strength. (According to John Barnatt’s plan and geometry, I was also sitting along the side of a square within the circle; the entrance being through the point of the square. A perfect square would likely increase the solidity and stability of a circle form.)

Although the circle did not feel particularly powerful when I visited, as if the new moon was its weak time, I felt strong within myself by sitting there and feeling its energies. Like I could achieve anything I wanted to. A feeling of empowerment. That was something I carried with me for several days afterwards.

Two days later I was able to do a journey back to the circle. I wanted to ask if there was anything I had missed, or should have done, whilst there.

Water offering

Water offering

The first seemed frustratingly obvious in retrospect – I should have taken some of the gift of water at the entrance that was there for me! I find it hard now to believe that I didn’t and am really puzzled by why I didn’t, but it serves as a reminder for next time. Recognise and accept gifts offered, and connect with all four elements when there is an opportunity to do so.

Beyond that, I’m glad to say I learned new information. I discovered that the circle was anchored through all worlds on Earth, and is a place where it is possible to move easily between the worlds, and the worlds come together. By this I am including lower and middle worlds, and worlds of the fae (another lower world but, to me, in a different place than that of animals). I didn’t specifically explore any world of ancestors (I haven’t tried that before) but I did have a strong sense that the circle was built by and used by people. More specifically, I seemed to see two rings of stones, with the inner ring being used to sit on as I had done, and the centre of the circle for dancing. This is different to Stanton Nine Ladies circle, where I have sensed any ‘audience’ would stay outside the circle while not taking part, whereas here some, or even all if only a small group was present, would be inside. I had an impression of the circle belonging to a family or clan or tribe who loved and looked after the circle. They lived some distance away on the moor where there was water, not by the river although they could see it and used it for a trading or travelling route. It was safer up on the moor.

Within the circle itself, I sensed that an energy vortex could form at the centre when at its peak time, that is when the sun or moon was fuller, and also dancing was used to raise the energy. I couldn’t get any idea of how this energy was used however – beyond it being slightly different to an experience I had regarding Wet Withens circle a couple of years ago. (Saved for when I revisit.) Clearly each circle type, and possibly each circle, has its own distinctive character.

Alignments made by John Barnatt show that the circle has been built to line up with the midsummer full moon over Arbor Low and midwinter full moon at Win Hill – a very distinctive, pointy hilltop which rises abruptly out of flattish moorland. While his sunset positions seem a bit non-specific to the horizons, he then points out that when sitting the midwinter sunset is in the centre of the tallest stone. Additionally, Imbolc / Samhain sunset is at the stone next to this, and midsummer sunset one further along. It is possible that missing stones once marked the other key sunsets through the year.

Froggatt Edge Stone Circle.

Froggatt Edge Stone Circle looking towards the Edge and the footpath. Sunset stones on the side nearest the trees.


Update
As the project continues, and I find out more information, it grows… Within the boundaries of Derbyshire, I am now aware of:
5 possible Henge sites, all on ‘White Peak’ or Limestone, of which only Arbor Low has any stones and is sufficiently intact to see the whole ring.
33 probable stone circle sites, all on ‘Dark Peak’ or Gritstone – of which 23 are known to have stones remaining.
4 sites which may be stone circles but are more likely ring or kerbed cairns – 1 of which has stones.
9-10 destroyed circle sites. (Debateable if the village of Ringstones had a stone circle, but it seems to be generally assumed that there was one once. Nine other circles have been recorded at some point since 1800, but are now lost.)
3 modern circles.
And a lot of confused grid references, or multiple names for the same circles… I can see why a GPS might come in handy!

Stone Circles in Derbyshire

I have started a new project recently, one I have been cogitating since the start of the year. My aim is simple – to photograph and meditate at all the stone circles in Derbyshire. Needless to say, it gets more complicated from there!

The first question I looked at is why stone circles, and should I include anything else? Most stone circles can be reasonably dated to the Bronze Age from finds within the circles – but there are also huge numbers of other Bronze Age sites in Derbyshire which include cairns, burial mounds, carved stones etc as well as evidence of settlements. However, Derbyshire has been inhabited since at least the last ice age, with various pieces of evidence from limestone caves in the north of the county as well as near the river Trent in the south – and there are two older (Neolithic) henges, one of which (Arbor Low) also includes stones. Did any of these have an influence on the Bronze Age circles, and if so how? Then of course there are the later Iron Age hill forts, not to mention all the Roman roads and forts through which these circles have survived, and which the circles may have had some influence over. There are also other complications: some circles do not exist any more; some recorded as circles may have been ring cairns rather than stone circles; and there are also several standing stones, age generally unknown, which are even less clear in their purpose than stone circles but which are sometimes more dramatic than a circle with one small stone remaining.

So my first meditation was to answer these simple questions.

A circle, I realised, is something special. The energies flow in particular ways, it is very feminine in form, it is related to the circle witches cast, and it is healing in its centre. For some reason these are apparently all things I need right now. Many also have alignments to the sun at different times of the year following the larger cycles of our lives, so it would be good to visit them at their appropriate times if I can.

Stone Circles in Derbyshire

Stone Circles in Derbyshire, with rivers.
(Click to enlarge)

The beginnings of my map, shown here, includes 34 ancient circles, of which 8 destroyed (yellow) leaving 26 (green, darker for better preserved) to be found and photographed. Two of these are henges (double circles), one with stones and one without. There are also three modern circles (brown squares) to investigate – two apparently built new but using old rocks, the other entirely modern as a public space – to see if anything of a genuine ancient circle is created.

It is of interest to me how all the Derbyshire circles are concentrated in a small area mainly following the Derwent valley. They appear to be features of hilly areas where there are naturally rocky outcrops – yet sometimes the rocks were moved some distance from these outcrops. (There is no great concentration of stone circles just over the borders into Yorkshire, although there are larger numbers roughly following the Pennines north, as well as in other upland areas further west such as Cumbria, Wales and the South West. Very few stone circles exist in the East of Britain until you get to Northumberland and Scotland.)

Those known to be lost were possibly in more intensively farmed areas – whether there were more circles at one time is impossible to know, although my feelings are that it is unlikely since we would be talking about pre-enclosure days, when few would have worried about some rocks in the way of their sheep! What is more likely is that there were wooden circles built in lowland areas which simply would not have survived.

Solstice Greetings!

Linoprint Phoenix

Linoprint Phoenix

Here is my Winter Solstice picture for this year, the Phoenix or Firebird. It is a linoprint again, like the previous two years, but with a watercolour background.

I realise that the Phoenix is not a conventional choice for the Winter Solstice, but when the idea came to me a couple of months ago, it seemed to fit the idea of the sun being reborn and the light returning. However, before I went ahead with planning my design I thought it might be a good idea to try and make contact with one in meditation and make sure it was happy to be featured, and see if it had any additional messages for me. The experience I had and answers I got were somewhat unexpected in light of what I thought I ‘knew’ about Phoenixes from popular culture. Here are the notes I made at the time:

Met with Dragon [who else for a mythical animal?] to ask if I could talk to a Phoenix. Wanted to check it was okay to send an image on Yule card, and if it had any messages for me. Very reluctant at first – said I wasn’t a fire person and should not be trying to work with it. Did agree to talk to me, although I found it very proud and touchy!

“It is a comet, or a shooting star, or a fireball like when a planet burns up.”
“Like a salamander?”
“No, they are mere striplings on Earth. Phoenix sphere is the cosmos, they are much greater. They cause huge destruction in their fires, which are absolutely necessary for rebirth.”

It was happy to be better known, however, and better understood, as its role is a vitally important one. Exactly right for Yule and rebirth. Also acts as a warning of change coming, and that is a good thing this year, even if only a few people heed the warning. Advised not to call upon the Phoenix, however, unless want a completely fresh start and are prepared to have everything go up in flames.

“Fire colours for picture please – not rainbow as a few people have done. Preferably hissing and spitting sparks as well.”

More recently I have tried to research the Phoenix mythology that exists from around the world. Here is a brief summary:

In Greece the Phoenix is said to come from Arabia, larger than an eagle with brilliant scarlet and gold feathers and a beautiful voice. It was said that only one phoenix existed at any one time, with a life span of 500 years or more. As the end of its life approached, the phoenix would build a nest of aromatic branches and spices such as cinnamon and myrrh, set it on fire, and be consumed in the flames. After three days, a new Phoenix arises from the pile of ashes, young and powerful – or alternatively like a worm at first. It then embalms the ashes of its predecessor in an egg of myrrh, and flies with it to the city of the Sun, Heliopolis, where it deposits the egg on the altar of the Sun God.

In Persia the Huma bird looks similar to a golden griffin and it spends its entire life flying invisibly high above the earth. In some versions it is said to have no legs, for it never lands. It embodies both male and female natures, each having one wing and one leg where it has legs. It is also said to consume itself in fire every few hundred years. It cannot be caught alive, and a person killing a Huma will die in forty days – but to see its shadow or even a glimpse of one is sure to bring happiness for a lifetime.

In China the phoenix or Feng Huang was thought to be a gentle creature, alighting so gently that it crushed nothing, and it ate only dewdrops. It was originally a pair of birds, male and female, but later was considered female, while the dragon was its male partner. It is said to be made of celestial bodies: sky, sun, moon, earth, wind, planets, and to have the beak of a cock, the face of a swallow, the neck of a snake, the breast of a goose, the back of a tortoise, hindquarters of a stag and the tail of a fish – although these animals changed over time – while its feathers were the five fundamental colours of black, white, red, green and yellow. It has been pictured attacking snakes with its talons and its wings spread, or with scrolls in its beak. It represented power sent from the heavens to the Empress, and symbolised loyalty and honesty; it would not stay where there was darkness or corruption.

In Japan phoenixes or Ho-Oo fly in pairs, the Ho being male and the Oo being female. They nest in paulownia trees but were thought to only appear at the birth of a virtuous ruler or to mark a new era – after which they would return to their celestial abode.

In ancient Egypt the Bennu was a sun bird, a living Osiris, like a heron with two long flame-coloured feathers or a sun disk on its crown. It was born from flames at the top of a Persea tree that stood on the top of an obelisk and renewed itself in the sun’s rays every day. Some say it helped the sun to rise and set, and the Nile to flood each year bringing fertility to the land, and its cry helped the world to form and bring order out of chaos.

In Russia and Eastern Europe the Zhar-ptitsa was a large firebird whose gold and silver feathers emit red, orange and yellow light the colour of flames, and do not cease glowing even if removed; one feather is enough to light a large room. Some say it flies at night, and eats golden apples, while valuable pearls may fall from its beak when it sings. It was able to heal the sick and cure the blind by its chanting.

The more I discovered these parallel myths, the more I felt that the information I received fitted in. Just like Noah and his boat surviving the floods appears in multiple sources around the world, with evidence now becoming more available to us to prove there were huge floods that drowned civilisations 12,000 years ago, or the way angels appear in almost every culture and religion, so I believe it is with the Phoenix. We catch glimpses, we have stories passed down to us, one day we may see the whole.

I will finish with a quote from the Egyptian ‘Book of the Dead’:

“I flew straight out of heaven, a mad bird full of secrets. I came into being as I came into being. I grew as I grew. I changed as I change. My mind is fire, my soul fire. The cobra wakes and spits fire in my eyes. I rise through ochre smoke into black air enclosed in a shower of stars. I am what I have made. I am the seed of every god, beautiful as evening, hard as light. I am the last four days of yesterday, four screams from the edges of earth – beauty, terror, truth, madness – the Phoenix on his pyre.
“In a willow I make my nest of flowers and snakes, sandalwood and myrrh. I am waiting for eternity. I’m waiting for four hundred years to pass before I dance on flame, turn this desert to ash, before I rise, waking from gold and purple dreams into the season of god. I will live forever in the fire spun from my own wings. I’ll suffer burns that burn to heal. I destroy and create myself like the sun that rises burning from the east and dies burning in the west. To know the fire, I become the fire. I am power. I am light. I am forever. On earth and in heaven I am. This is my body, my work. This is my deliverance.
“The heat of transformation is unbearable, yet change is necessary. It burns up the useless, the diseased. Time is a cool liquid; it flows away like a river. We shall see no end of it. Generation after generation, I create myself. It is never easy. Long nights I waited, lost in myself, considering the stars. I wage a battle against darkness, against my own ignorance, my resistance to change, my sentimental love for my own folly. Perfection is a difficult task. I lose and find my way over again. One task done gives rise to others. There is no end to the work left to do. That is harsh eternity. There is no end to becoming. I live forever striving for perfection. I praise the moment I die in fire for the veils of illusion burn with me. I see how hard we strive for Truth, and once attained how easily we forget it. I hold that fire as long as I can. My nose fills with the smell of seared flesh, the acrid smoke of death, so that years from now I might look on that scar and remember how it was to hold the light, how it was to die and come again radiant as light walking on sand.
“I change and change again, generation after generation. I find anguish then peace. I am satisfied with my birth and the faith to which it led me. I do not regret the discomforts and terrors of my mortality any more than I regret the company of angels. I have entered fire. I become invisible; yet I breathe in the flow of sun, in the eyes of children, in the light that animates the white cliffs at dawn. I am the God in the world in everything, even in darkness. If you have not seen me there, you have not looked. I am the fire that burns you, that burns in you. To live is to die a thousand deaths, but there is only one fire, one eternity.”

– The Egyptian Book of the Dead: The Book of Going Forth by Day

An Energy Lesson from the Nine Ladies

Nine Ladies Circle

Nine Ladies Stone Circle, Stanton Moor, Derbyshire. The King’s Stone can just be seen in front of the tallest tree. (Click to enlarge.)

A bright, clear December day yesterday, we managed to have a walk at one of my favourite places locally. This is Nine Ladies Stone Circle, on Stanton Moor in Derbyshire. (There is a legend that the King played the fiddle and the ladies danced, until all were turned to stone for dancing on the sabbath.)

I have done many simple, solitary ceremonies here over the past few years, and always managed to have the space to myself until the moment I finish when other people appear – just as they did straight after I took this photo. However I have also noticed no one ever stays for long, especially not within the circle itself; the guardian seems to remove anyone lingering fairly promptly!

It has one of the strongest energy fields I know of – straddling the circle ring is a strange experience, and I can always feel the energy flowing very strongly between the circle and the King’s Stone. Most people can feel the flow just in front of the King’s Stone I have found, although it does seem to vary how strong it is. (It would be interesting to compare strengths at different times of the moon, or the sun, but I don’t live close enough to do this!)

Yesterday I didn’t do anything special while there, since I wasn’t alone and hadn’t planned the visit in advance, but I explored the experience in meditation later. Strangely I didn’t feel the need to renew any promises, ask for anything, or make any particular connections, which I could have done had I felt anything was missing – yet I felt very much at peace. It was like by going somewhere that was part of me and I was a part of, and brought me back to who I am. Even more than that, I felt energised, and I realised that, to me, Nine Ladies is a place of power that refreshes and restores.

To connect back to last week’s post, it made me think of how R Ogilvie Crombie spent a period every day connecting with sources of power, and thus was always ready for out of body experiences and communicating with elementals or guardian spirits at any time of day or night. Personally I have noticed how I can feel tired after a journey, or am sometimes too tired to journey, and realised that this type of energising is probably what I need at times, as I received yesterday and have received from various other ancient sites or from oak trees I have visited. However becoming aware means that it is now part of my consciousness. I need to re-energise myself, be at one with nature, and connect with all the elements on a regular basis.

Birch Woodland

Birch and Heather woodland, Stanton Moor, Derbyshire.

My garden simply isn’t enough; I also need to find places I can visit regularly to raise my energy so that I can learn and understand and feel, or find an alternative way of raising my own energy – because after we left the circle, we passed through some of my favourite silver birch woodland, and I could feel and see energies in a way I have rarely experienced except when journeying. As if every blade were alive and shimmering, seeing the growth, seeing the aura of each tree, sensing elementals living there, catching a brief glimpse of a gnome by a tree. Truly magical.

Crafting Ceremonial Tools

Every witch or book on witchcraft will tell you that tools are not needed to direct energies or to do magic – it comes from within, and a finger can work just fine. (Is seven years as an active, circle-casting witch a record for still using a finger most of the time?)

The other great wisdom often quoted is that you can find tools anywhere, and they will feel right to you. Well I have looked many times, but none of the huge number of ‘witches tools’ offered for sale have ever felt right to me.

Tools I have looked for include a wand, a chalice, and an athame. I have acquired various knives for ceremonial cutting of plants or for whittling, dedicated several household objects I already had and loved for use in ceremony, such as a suitable bowl for water, plate for offerings, and candle holders, and even created an altar cloth, clothes and jewellery to wear. It was only in the last month or two however that I realised the best person to make the tools I want to use is me – so that they may be crafted in harmony with the natural materials around me, and full of the intentions of the use to which I wish to put them.

As with previous craftings, I am not going to show photographs of any finished items I use in ceremony. However here is my mostly finished athame I have been whittling out of a Prunus Pandora tree that is very special to me, and which had to be pruned this month. There were really too many side shoots for a perfect blade, but that is the way cherry grows. My first attempt was actually in Holly which was much smoother and more even, but just too hard for my knife to work. I may have kept it too long before starting, or it may simply not have been the right wood for me for this purpose. One day I may find something even better, but until then I am really enjoying using the cherry and it fits nicely in my hand.

Athame made from Cherry

Athame (not finished) made from Cherry

One of the side shoots left a hole in the handle, which I turned into the centre of a triple moon symbol; there will be some carving on the other side as well. I found it was an interesting wood to whittle, being a novice at this type of woodworking, quite hard but straight grained and with thicker bark than I anticipated. When freshly cut the bark was very pale and green inside, but on exposure to the air turned this richer brown colour. It is not the black of traditional athames, but is dark enough for me. I originally started making it as a single bladed knife, changing my mind as I realised a dagger shape would make better use of the hardest wood down the centre of the knife; the point is surprisingly hard and capable of cutting a candle should I wish. Also being symmetrical it has the advantage of directing energy straight down the centre line of the branch. However the blade will need some protection, such as oiling it, if I wish to dip it into liquids regularly. (I anticipate doing a bit more smoothing too, before it is declared finished and ready for consecrating!)

It occurs to me that a boline would be great fun to whittle, if I found a suitably curved branch of light-skinned ash or similar! Meanwhile I may look out for some wand material, and I’ve always wanted to carve a bowl in the shape of a leaf… The tool I use all the time though is a staff, which I really should complete one day! I have used a particular staff when journeying in the lower worlds ever since I found a hazel pole about five years ago. When I journey it is always complete, in ordinary reality it isn’t. And recently I have acquired a second staff for mainly upperworld journeys – which I am told I should use for ceremony as well. So I have two to make now! Watch this space, as they say…

Water Meditations

I am in water, I am nearly part of the water. I am wishing I could come back not as a human but as a water elemental. Oh to be a drop of rain, falling through the sky, then trickling through vegetation into a stream. To be a part of that, part of a river, the sea. Waves, or deep water. The feeling is so powerful, it catches me by surprise.

Could I simply do that?

Then I see a problem. Water elementals are formed and unformed when they are needed and not needed. They live, but then disappear as the water evaporates, taking no memory with them.*

A human has memory, too much sometimes. I feel weighed down. I want to be free. Tears run down my face.

But then I remember that as a human I can follow the water with my mind. I can go into the tree with my mind, up out of the leaves. I can play in a huge stopper at the bottom of a pourover, or just drift lazily down a summer stream where ducks make their way back and forth. And I can keep the memory of each exploration, bring it into my own life – along with so many other things as well. I make a vow to go swimming again.

* On further reflection I realise this probably isn’t true. Elementals can be themselves again when they reform, or even a more developed, further advanced version of themselves, just as we are in essence ourselves again in each lifetime. Spirit, in all its forms, is conscious. But it may be just as well I didn’t consider this at the time…

——

It is two weeks later. I journey astrally to meet the elemental of the swimming pool where I have been going. I tried to make contact when physically at the pool, but just had the impression of colourful swirls of energy, the colours associated with swimming pools, of blues and whites, strangely the blues nearly the same as what I was wearing.

In my journey I was able to see her much more clearly. She is far more advanced than the simple elementals, more like a mermaid in form. I shall call her a Deva, as that is how she seemed to me. Her main colours were indeed swirls of light blue and white, with the occasional streak of dark blue. She had long blond hair, and overall looked like an Art Nouveau image of a graceful woman, but with her form unfixed and ever changing. I was surprised that when she came out of the pool to talk to me, she had legs, but they disappeared again as soon as she re-entered the water. She was young, and as bright and clear as the water. (Which is the nicest public swimming pool water I can ever remember being in.)

As the pool suddenly became busy, she excused herself and said she had to go. I watched her guiding several people to avoid collisions, and supporting anyone learning to swim – one girl of about six or seven in particular was getting a lot of help from her to float gently.

I then left the pool and came to my own garden, to try and meet the Deva of our pond. She was completely different in looks and character, swirls of greens, lots of browns, a dash of pink and red from the waterlily, dark hair, more frog-like. She had no time to stop, so busy was she trying to keep the balance of this very young pond. I thanked her for her efforts and told her how beautiful it was looking. I then returned the way I had come, for once not feeling bereft as I re-entered ordinary reality.

A Soggy Solstice

Rain seems to be a theme of this winter – one I should be used to by now! I spent last week in the Lake District with family, where given the forecast we did well to manage a number of sunny walks and had high enough cloud cover to get a view from both of the hills we managed to walk up. Mainly we explored the valleys though, to see waterfalls. However, after a beautiful sunrise on 21st December, it was still disappointing to have a very soggy dark morning on the 22nd.

For the solstice itself, I like to have a special dinner the preceding evening, Celtic festivals usually being celebrated from sundown to sundown, then wake up for the sunrise (easier than the exact solstice moment which this year was around ten to five am UK time), followed by breakfast and sharing presents. This year with us being in the North, and waking up early, we had breakfast first and then a walk up the hill behind the house we were staying in to try and see the sunrise. It was raining, the ground was waterlogged, the sky was grey. A slight lightening in the South East was all the evidence we could see of day breaking. The next day there was of course a beautiful sunrise again…

However I learned some things on our extended walk in the rain that morning that have stayed with me. There was yet another storm, Eva, forecast for the Christmas weekend. As a follow on from my weather post of two weeks ago, I can report that I have managed to increase my consciousness from a five to a ten mile radius circle of where I am, although I am finding it incredibly difficult to go beyond that – or to know how large changes to weather systems can be made such as seems to be needed at present. But I did manage to journey one morning and had a brief conversation with the approaching storm.

I asked if it could tell me what its purpose and intention was, and if there was some way the effects could be mitigated. The answer I received was to promote cooperation! I couldn’t see how that fitted in with anything a storm might do, until I looked around me. I was staying in a village that had been badly flooded by Storm Desmond, several businesses suffering millions of pounds worth of damage, one road bridge remaining out of action with a two mile diversion in place, two other road bridges and a footbridge now reopened but with damage clearly visible. But as more rain threatened, everyone was actively clearing drains, putting up boards and sandbags, and yes, working together. I asked this latest storm if it could avoid causing more damage to those who had already suffered. On my return, this appears to be largely the case, only there is massive flooding and damage in Lancashire and Yorkshire instead – yes promoting cooperative working and huge levels of assistance, but also creating much personal tragedy at the same time. As I have said before, it needs more people than me to work with the weather, probably many more people, and some rituals and offerings to change the cycle of weather that has been created. It may take time and effort, but what is cooperation if not working together and working with our planet Earth and her weather systems, with love?

So that was the message of my solstice – we can expect more rain, and need to work together at all levels if we want to see more balanced weather returning.

Communing with the Ancestors

Duddo Stones, Northumberland

Duddo Stones, Northumberland

This is the third and final blog post relating to my recent holiday in Northumberland, and needs a bit of background.

Before I went on holiday, I sent out a request for what I wanted to get out of the experience. Good family time, range of activities, good food, balanced weather, all predictable sort of stuff for holiday enjoyment but by stating what I wanted I helped it to happen. Then I considered something else I don’t normally do – how good a holiday I wanted. I’m sure you are wondering: could I really make a request like that? Well I had never tried before and wasn’t sure if it was possible, but it felt right. I looked at it in terms of a scale I use frequently when pendulum dowsing, for example buying (or usually not buying) books or other items online. The scale runs from 0-7 and I have learnt to interpret it as follows:
1 – useless
2 – passable
3 – okay
4 – good
5 – very good, worthwhile
6 – brilliant
7 – life changing

So for this holiday I thought I wanted a 5 or 6 … until the day before I left. Then I started to wonder why I was shying away from accepting something that might be life-changing.

At the back of my mind may have been the book ‘Pilgrimage with the Leprechauns’ by Tanis Helliwell, in which she takes a group of people around Ireland on a pilgrimage that doesn’t exactly go to plan but gives people what they need so as to be potentially life changing for each individual. Sometimes something ‘bad’ might have to happen in order to make the positive change needed – like a broken leg, or illness, and this was what I was shying away from. Having recognised what I was scared of however, I decided to accept ‘life-changing’ for myself and trust that it would lead to something positive.

I had quite a good activity plan for the week in my mind, having learned by past experience that the more research I do before a holiday the better. I included such things as beaches, castles, Alnwick gardens, etc, with flexibility to suit people and weather. One day, towards the end of the week, had a somewhat vague plan, starting at Etal village market and exploring the various ‘attractions’ there and in the twin village of Ford. For various reasons my ideas didn’t work out, and we found ourselves both with an unplanned afternoon and needing to find a shop to buy food for the next two days. Suddenly a new plan emerged. To find a supermarket in Berwick, going via the Chain Bridge Honey Farm and also the Duddo Stones which I had really wanted to visit but couldn’t see a way to fit them in sensibly. The holiday had just taken on its life-changing dimension.

I hadn’t been sure how to get to the stones, and my directions to the driver would have been wrong – but a sign was spotted that led us the right way. It was then a short walk across fields to the stones, on the top of a slight rise, growing ever larger as we approached. And when I got there, like at Bamburgh beach, I realised I had been there before many centuries ago.

Single Duddo Stone, Northumberland

Single Duddo Stone, Northumberland

The dialogue I had with the stones was fairly simple, after all I wasn’t alone, but I made a promise to work with my ancestors to do whatever healing was needed. I did not have any idea what I was promising at that stage, just an amplification of a feeling I have had for some time that healing was needed, and trust that I would be guided in what and how to do this. I also didn’t know what ancestors, how long ago they had lived, or how they related to me – but I was fairly sure they had more to do with racial memory than blood or family ties. I then sealed my promise with the gift of a seashell I had planned to keep.

Later, back at home, I did some journeying to find out what the ancestors wanted me to do. It actually took two journeys, the first I lacked focus and clarity about what I was journeying for and also lacked a drum (not wishing to disturb others) and I found the Duddo stones covered in a blanket of snow. I was with my power animal, who seemed unimpressed by me, met a person dressed in simple dark brown clothing who I was unable to communicate with, and a snow and ice dragon who, as always, had a much simpler and more direct message for me. Use the drum. So two days later I did that, and was shown the Duddo stones as they had looked when I was there previously; they were in a large clearing but surrounded by woodland. My power animal was now in her element, leaping through the woods, running, playing, splashing through streams or small rivers. Returning to the stones, there were many people there, and they had a strong message for me. They had started the removal of the trees, and that was what was wrong and why I hadn’t recognised the stones until the last moment. The countryside was now almost bare of trees. And the land was suffering as a result. All the work I and others do with weather to help keep it in balance is much needed, but until we plant more trees and enough of the land is wooded once more there will never be true balance. I need to use my writing to spread the message, need to do far more than the short tree stories I am currently writing. I also need to learn how to drum at or near power sites, such as stone circles or waterfalls in woodlands to spread healing.

I still have a lot of work to do to fully understand this message, especially the last part! and to really make a difference. I feel somewhat overwhelmed by the responsibility being asked of me, but if every journey starts with the first step, my first step is to be brave enough to post this. Thus my commitment to trees (and to dragons, but more of them later) is sealed. Will this be life changing? Well in one sense it simply feels like the logical next step on a journey I’m already on – I just hadn’t seen it yet. However, it also feels like it needs to be bigger than anything I’ve done before. Time will be the judge.

Hag Stones

I have inadvertently started a collection of hag stones. Not intentionally, I just find them rather intriguing and can’t help picking them up…

There seems to be a long history of humans fascinated by natural holes. Large stones with holes in them, such as the Tolmen Stone on Dartmoor, have been used for people to pass through in initiations for thousands of years. If it is difficult to access, or dangerous to egress, so much the better. Caves have formed a similar purpose, particularly when it is possible to emerge somewhere other than where you entered.

Initiation by a stone works because it changes the consciousness of the person passing through. In shamanic journeying, it is usually necessary to find a natural hole to pass into different worlds; a hole you can physically pass through means you also take your body with you. A hag stone is a tolmen on a small scale, as only your consciousness may pass through. For this reason they can be a useful aid when you want to look at something in a different way, and I have used them for middle earth travel. This may be why they gained the reputation of being a way to see fairies.

Holes have also been thought to cure disease, or infertility. Where a holey stone of the right size cannot be found, then for cures trees were often used; these have the added benefit that the hole can be sealed up again by binding the tree back together and the time of spell is lengthened to include the regrowth of the tree.

The hole can be used as a doorway or portal even without passing through it, in order to draw or repel energy. For example, they can bring luck, or wealth, or protection, and banish misfortune, poverty or psychic attacks. Common places to find them in use are attached to fishing lines or nets, to keys, or as an amulet. They have also been used for divination, looking at the moon through the hole.

Here is my collection, found on various beaches around the British Isles. Most of the holes have probably been made by bi-valve molluscs to live in, when the stones were still attached to bedrock.

Hag stones

Hag stones