Yule Quilt

Yule Quilt

This is now the fifth quilt I have made in the series of 8 for each sabbat display, and the first where the colours had a small amount of planning in their arrangement – rather than just the total random, ‘scrappy quilt’ look. I did not have many suitable fabrics for Yule, 3 golds, 3 greens, and 4 reds although one was in very short supply. Had I started with this quilt, I would have probably made it far more definite in its design by using some colours for the stars and different colours for the borders, yet this interests me precisely because it wasn’t done that way. It draws me in more.

The stars made me think of spiky holly with its bright berries, as well as poinsettia plants sold everywhere but needing more warmth than our house generally offers on a winter’s night. There is also the coming of the light, directly from the sun as we celebrate its return – and for two months of the year I have an unobstructed view of the sunrise through trees from my bedroom window. Most years (but no longer guaranteed) there is also light reflected by snow, bringing a wonderfully uplifting feel at what is generally a dark time.

Making a series of quilts that are supposed to be an exact size has also been a learning experience. My sewing accuracy wasn’t bad before, but sew each 1/4inch seam just 1/2mm out, and over 25 seams you have gained or lost a whole inch, 25mm. That is assuming my cutting was accurate to within the same tolerances! So it took me to quilt 4 to get almost the right finished size, and this one is just slightly long. Given they are all made slightly wide, long looks good. The other good thing I have finally learned is how to work methodically when picking up each pair of pieces to sew, in order to keep them in the same position and rotation. It has taken me a long time to master this basic skill!

Normally I change the display about a week before a sabbat, but it felt appropriate to get this out last weekend. Not because lights and decorations are up everywhere else and M enjoys them being up in our house as well, but because winter arrived with the last leaves falling off the trees, two dustings of snow and ice on the pond. Autumn has passed, it is dark outside, and I feel ready to close the curtains and be looking within. Enjoying candlelight, being cosy in the long dark evenings, and preparing for what is to come. In my case, a completely crazy, exciting, holiday season with so much packed into about 3 weeks that I have had to write down what I need to do when.

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Samhain Quilt

As the pagan New Year approaches, I have been making preparations by completing the next quilt (or altar cloth or display cloth depending on who I am talking to) for my display, and also buying a pumpkin and deciding what to carve into it.

The quilt design is still based on 2” squares, but this time there are many triangles incorporated – which sometimes combine to make diamonds. I wanted a lot more movement in this quilt than the one for the equinox, reflecting the flames of this fire festival. Change can happen. New seeds can be sown in the Earth to put down roots through the winter. Ancestors can peek through the cracks and offer their advice and support. My colours are perhaps a little clichéd, but they are what felt right from my scraps pile – which may even fit in its cupboard again by the time I finish all 8 quilts… Now I just have the enjoyable task of creating my display on top, which like all of our displays will find ways of connecting to the seasons as well as the Sabbat, in this case Samhain and our ancestors being remembered.

Samhain Display Quilt


The vibrant orange in the quilt is almost identical in colour to the pumpkin I have found for this year. Pumpkins are a vegetable I have been carving for over 40 years now; I can remember primary school days when other children brought in carved turnips and swedes, and thinking what hard work it looked and why didn’t they just use a pumpkin? The bits we cut out of pumpkins tasted good in pies as well, mixed with enough sugar, eggs, cream and spices, whereas I don’t think we even ate turnips in our house. However as a child I just carved a face each year, whereas as an adult I like to carve more meaningful designs. One side to represent what has been important to me in the past year, the other to sow my seeds, hopes and dreams for the next year. I usually start thinking about what I will carve a week or so before the day, when I see what size pumpkin I have.

While planning a design always involves a period of reflection for me, as all spiritual art must come from within, this autumn it has been particularly intense.

I mentioned when writing about my Mabon quilt that I had hurt my hip and leg. I have no idea what I did, or exactly what is wrong, but walking and sewing are still very tricky for me, and as for any of the plans I had for when M was in school full time, my leg is clearly telling me they were the wrong plans. Luckily I have found cycling is even better than the physio exercises and really enjoyable in this mild autumn weather. Meanwhile I have had a lot of meditation time to think about what direction I should be going in.

The strange thing is that at the end of all this, I realised there is nothing I need to be doing right now except what I have been able to do – which is to look after my family and myself. Except now I have a very small difference in my approach. I value each person equally, including myself as an equal. I am ignoring messages from the media of what I should be doing to value or look after or pamper myself, because I don’t need it. I have no lack, and I have nothing to prove. As a result I am happier than I have ever been before as an adult. I know that even though I cannot do much right now, I should just enjoy the resting period. The future might suddenly be a lot busier.

So after all this thought, I plan to make this year’s pumpkin a joint family carve, using cookie cutters to make pictures since the first two requests of fairy and frog should be easier cut that way than freehand. I did a frog last year as well; it must have worked since our tadpoles have been hopping around the garden for the last two months. This year it might go on the thank you side.

Mabon Quilt

Quilt for the Autumn Equinox / Mabon.

Here is my quilt for Mabon, or the Autumn Equinox. This quilt is about harvest, not just in its ripe fruit colours but in the fabrics themselves, for which I think I counted 19 in total. Some are from previous quilting projects, such as the three tree series I made, giving a nice link to the harvest of tree fruits (apples and plums in particular). Several squares were cut from scraps leftover from dressmaking, some of them clothes I made for M which are now too small for her but also one of mine which I still wear. And finally the music fabric, leftover from a ‘baby quilt’ and saved for quite a long time because these small pieces were all that was left. It represents another joy in my life right now, to play with the morris dancing group. Again, nothing has been bought new. So to look at this quilt brings happy memories. (To me, it is all the more remarkable because the difficulties I had actually sewing it were beyond anything I have done recently, as since August I have been suffering from a very sore hip and leg and at times can barely sit or stand. Sewing was done in very short bursts, left-footed. But that is a story for another time.)

Since both equinoxes are all about balance, I have also been testing an urban myth that has been puzzling me since I discovered it last Spring. There is a much repeated story on the internet that it is possible to balance an egg on its end at the equinox. I tried this, and failed. Then I read it was at the moment of equinox. I have no idea if the Earth is acutely aware of the moment of equinox or not, as with the moment of solstices. There is however a moment when the tides turn, which are of course affected by sun and moon so I didn’t just dismiss it out of hand. So since I missed the right time last time, and it was quite a convenient time this time, I thought I would have a go in the spirit of scientific enquiry. This time I also invited company.

What we proved is: some people can balance eggs. Duck eggs, chicken eggs, they will apparently all stand on their ends for as long as is required of them. The equinox makes no difference to those capable of balancing an egg, as the trick was quite happily repeated the next day. I, however, am still incapable of balancing an egg on a smooth, hard surface, no matter what time of day. Although I can have fairly good results if I use a non-flat surface…

Lughnasadh Quilt

Continuing my series of quilted display cloths I have been making, here is my finished quilt for the beginning of August and the colours of the grain harvest.

Lughnasadh Quilt


The design is still based on squares, as I did for Litha, but this time I did not have so many suitable fabrics available to me so decided to make some of the shapes bigger. This made it quite entertaining to sew together, since I could never follow any regular pattern!

I have deliberately used some of the same fabrics as for Litha, and would like to make that a passing theme through the year: that each quilt has a relationship to the ones either side through sharing some colours, as well as having some that are unique to only that quilt. In this case I am unlikely to use the brightest yellows for anything other than Lughnasadh, but I used the gold prints for the Litha quilt, and will use the darkest red / orange fabric for Mabon and also for Samhain if I get stuck with a lack of other suitable fabrics.

It is now forming part of my display as we prepare for the coming festival, and has been adorned with candles, flowers, and some corn dollies we made last year. For the first time we have some wheat in the garden, sown by M at school as part of her ‘Spring Garden’ and transplanted here in April. We will be able to ceremonially cut it on the day and place it centre stage.

Colours for Summer

I have been rather uncreative for a few weeks, since wearing myself out sewing Morris dancing clothes… and then suddenly realised that the lack of a project was why I was feeling unfocused and lost this month. Clearly I don’t know myself, and what makes me happy, that well yet! Luckily finding a new project is not something I have trouble with – just keeping them within bounds given time and space constraints. (Building work continues in the house, making dust and chaos as well as preventing wood or glass work.)

So a week ago I had an idea to make my temporary seasonal display area (half a mantleshelf) a proper cloth cover, by buying a strip of fabric, edging it, and putting it in place in time for the summer solstice on Wednesday. If I found enough suitable fabrics, I could even change the colour for each sabbat. However, not only did I fail to get near any shops, it being too hot, I also should never really have imagined I could stop at something so simple.

Having visitors all weekend required an empty sewing table in order to eat off it, and a lot of thinking time. By Monday morning I had a plan – to use up my scrap pile and make a simple quilt-style top. One for each sabbat of course, starting with midsummer. That gave me Monday to make it.

Suddenly a difficult question loomed. What colours to use for midsummer? All the other seven sabbats have colours I associate with them, but not midsummer! How could this be? So I wrote a list, to see what was left over. (It is slightly different to other people’s lists, but then in trying to write this after finishing, I discovered a lot of variations!)

Imbolc – Greens and white – holly, snowdrops
Ostara – Pastel shades – eggs, new shoots, pussy willows, daffodils
Beltane – Greens and light colours – forgetmenots, tulips, honesty and ribbons
Litha – ???
Lughnasa – bright yellows – hot sun, ripe corn, poppies
Mabon – Reds and purples – apples, plums, late harvests
Samhain – Orange, red, brown, black – pumpkins, autumn leaves, and descent into dark
Yule – Greens, Red, Gold – holly and yew

And what I decided on was blue skies, sunshine, and a garden absolutely full of flowers. Mine is full of roses, campanulas, hardy geraniums, foxgloves and peonies right now, so they have inspired the colour choices.

My method of construction was very simple – strip piecing with only a few triangles and rectangles to break up the squares. The colours were arranged fairly randomly, and for once I didn’t worry too much if I sewed the wrong pieces together from my initial plan. Some of it will be covered anyway. There is no wadding, so it was just sewn onto some plain cotton for backing. Quilting is also very simple, just sewing around the edges of a few pieces through both layers – this also sewed up the hole. Total time to be useable was about 4 hours including cutting and laying out time for which I had help, with an extra ¾ hour on Tuesday morning to quilt it.

Here’s how it came out. A bit crazy, but fun. You might notice by the length that I have now managed to purloin the whole of the mantleshelf for my display!

Quilted Summer Solstice display cloth (8″ x 52″)

Lost and Found

I try to be tidy, and I like the feel of things being organised, but I don’t always manage it when the creative spirit is fully present. So sometimes I lose things.

Yesterday I lost a piece of fabric. I finally reached the stage of arranging the square blocks for the quilt I am making for my sanctuary space, so spent some time with M’s help laying them all out on the bed to decide which colour was going where. There was one square missing. Being very sure I had sewn the right number, I proceeded to look for it. Everywhere. Around my sewing table, in and under scraps piles, in every pile and basket of M’s things in case it had got picked up and put somewhere. (She plays next to me while I sew.)

I stayed calm. Getting cross has never solved anything yet, and I did have enough bits left to sew another one. It is not the first time I have lost prepared quilting pieces, and they have always turned up eventually, but not always in time to be useful. I let go of my attachment to the work I had done and started cutting out replacement squares and triangles, doing the background colour first since I had plenty.

The 'missing' quilt square

The missing quilt square

Then just as I was about to have to cut into a larger piece of fabric, I thought of a place I hadn’t looked – and found the missing square! Under the ‘kitchen sink’. Apparently a dishcloth was needed…

In Search of the Perfect Pincushion

Pins are an essential part of any sewer’s toolkit, but the paper wheel they are sold in, or the plastic boxes, are rarely suitable long term use – hence the development of the pincushion. Some I have seen are wonderful three-dimensional creations in fabric, giving delight to the user. I have seen many lovely examples, such as fruit, circus elephant with a ball, cupcakes, hedgehogs, cacti, etc. Take the pins out and some would be delightful toys for a small child. I will confess to being boringly practical however, since I want to be able to get pins in and out of it quickly and safely, and put it in a drawer when not in use – and I also have a small child!

Pincushions in order of age

Pincushions in order of age


The first, the lovely little mouse with a wooden base and Liberty fabric, was given to me with my first sewing kit many years ago. I loved it, but it was never big enough for a full pack of pins. I still use it for small sewing needles, as the firm base stops them from slipping down too far and getting lost. (4” long, fabric area 2” x 1¼”)

The second I made when I first started sewing ‘properly’ as an adult with my own sewing machine. The fabric was left over from a pair of trousers and is quite hard-wearing, the stuffing was made from off-cuts from quilt batting. I put a strip of velcro on the bottom with the idea I could keep the cushion in place if I wanted to, although in practice this didn’t happen. Small and light, it fitted in a drawer well but the stuffing was inadequate and pins slipped through – I had to be careful to angle them towards the middle, or they would stick out the other side of the cushion. I use it now for very large needles such as those for making dolls or soft toys, that are too big for the mouse cushion. It is, however a little small even for these so may be retired before long. (Fabric size 4” x 5”)

The third I made this winter from quilt offcuts. It is some of my best piecing and I was really pleased with the way the corners matched – no one can see them because of the buttons sewed over the top… The buttons were quite tricky to attach even with a long needle. It was successful in that the cushion sits flat and doesn’t move, and the toy stuffing seemed to work okay for pins, but blue and white pins were almost invisible while black and purple didn’t fair much better. It was also fundamentally too big to fit in the drawer. It has been donated to M as a doll cushion. (Fabric size 6” x 5½” x 1¾”)

So onto mark four, made from an offcut from some curtains when I shortened them. The fabric was double-layer and fell apart on cutting into squares, so I double stitched each seam, but otherwise I used the same construction method as for mark three. The size is great, it sits on the bench next to my machine or in the drawer really well, and it is the right height to stop pins coming through. Putting the pins in rainbow order, originally to entertain M, looked surprisingly good with the dark background and stopped me loosing the darker colour pins. It is probably near perfect for my needs as a working pincushion, just maybe a little dull – so it might not be my last! (Fabric size 4” x 4” x 1½”)

Pooh Bear’s Map Quilt

Pooh Bear's Map Quilt

Pooh Bear’s Map Quilt

This is a project which has taken me since January to sew, and even longer to plan. It came about after I put an old Pooh Bear poster up on the wall over the stairs. For those who follow Feng Shui ideas, which I have started doing occasionally, it is in the area of the house for Health and Family – so having a poster full of life and enjoyed by all the family seemed appropriate to me. However, there is a radiator underneath, which kept melting the bluetack holding the poster to the wall, so it kept falling off. Usually in the middle of the night or at rather inconvenient moments. Not such great energy!

I love Pooh because he is such an easy-going bear. He doesn’t think too hard, just goes with life’s flow and does what comes naturally to him. Hunny or condensed milk? Have both – even if it does have consequences of getting stuck. Lost on a walk? Stop running in circles and listen to the hunny calling. He might be a bit daft at times, when he needs looking after, but most of the time he looks after his friends in a very gentle sort of way, not minding when they are excitable or scared or depressed or trying to be clever or bouncing around. Pooh just is. He is the sort of bear who gets regularly quoted in our family, because he just knows how to live. And who would be without a few Helping Bear or Brave Bear pencils around the place after all?

For technically minded people, the quilt uses around 24 fabrics, and was sewn on my very ordinary, basic machine with straight stitches and zig zags. I did the design by scanning the inside cover of my 1977 “The World of Pooh” (which is slightly different to the poster) and then printing out the pictures in sections. After sewing the background of mainly green squares, I traced all the other shapes onto interfacing. These were subsequently cut out and ironed onto the coloured fabrics, and then sewn on in two layers – complicated shapes such as the animals and river directly onto the green background, then the labels and tree leaves were sewn through all three layers, saving me the job of quilting the quilt later.

My most frustrating problem was how small pieces kept getting lost, as turning the quilt to sew had the effect of knocking things off my small and cluttered table… pinning them in place was done as soon as possible! (And I had to re-cut about three that only turned up in my tidying spree mentioned a couple of weeks ago.) My lettering got better with practice, especially after I realised I needed to turn the fabric when the needle was on the outside of a curve, not the inside. I was glad the original lettering style was wobbly! However adding in stitch width to the edges of my shapes was something I wish I had done from the beginning!

I have probably learned more sewing this quilt than any other project, since it was my first ever appliqué and first lettering. Both skills I have already used on another project, a birthday card for my Grandma who was 95 last month. (Congratulations to her!) Anyway I am feeling really pleased with it right now, and it looks great on the wall even if it doesn’t hang perfectly straight. (Clicking on the picture may lead to a larger version if I have got it right.)

Tree Quilt Triptych – Part 3

Autumn Quilt

Autumn Quilt

I finally finished the third quilt of my tree-inspired series and got it hung on the wall this week. It was the autumn leaves last year that inspired the idea, and since the leaves have been changing rapidly I thought I had better get on with it!

The pattern block is called ‘Maple Leaf’, although I mostly did not quilt this in blocks. I started that way at the top, but then had to explore other ways of working… I have made more mistakes and unpicked more seams in this quilt than I have ever done in my life. Even at the layering and safety-pinning stage (no I don’t have time, space or patience to hand baste!) I saw a row of three units I had managed to sew upside down and had to redo them. Hopefully I can use what I have learned from this quilt for future projects.

To quilt it I used a spiral design I made up after many scribbles on paper, which seemed to flow really well. The angular patchwork seemed to call for some softening curves, and it echoes the idea of leaves blowing around in the wind – as well as energies spiralling down into the Earth at this time of year. My free-motion quilting still leaves a lot of room for improvement, but at least each one is better than the one before.

It is a very fiery quilt as it hangs on the wall. I am glad to have it there to liven things up and add warmth as we head towards Winter, but am also glad I made the decision to rotate the quilts with the seasons. It would need a much bigger space, and a different wall colour, if it was to hang there permanently.

This was intended to be the last quilt in the series, but I have been persuaded that it would be good to do a Spring quilt. So much like Douglas Adam’s ‘Hitchhiker’s Guide to the Galaxy’ trilogy, this may be a triptych with more than three parts…

Tree Quilt Triptych – Part 2

Summer quilt

My ‘Summer’ tree quilt (left) finally got finished last weekend and has been hanging in our hallway for a week now. It is intended to represent the dappled shade under deciduous woodland, both in colour and design.

From my experience doing ‘Winter’ (March 21st) I decided to use fabrics that were either fairly plain, or else had bold patterns since some of the subtleties got lost once cut small and quilted over. I also wanted to keep more contrast between fabrics in the way I pieced them together, but without loosing a sense of being lighter at the top of the quilt so that there was some kind of flow. I was pleased with the end results in this respect.

As I mentioned on an earlier post (Going Barefoot, May 2nd), I had a few problems along the way! Annoyingly one fabric looked more like a brown once put with the other greens; I might have changed this if I had realised in time, but I decided it was fairly tree-coloured and by quilting enough green thread over the top of it, I hoped that unlike in ‘Winter’ where I lost detail, this time it would work in my favour to help harmonise the colours and give an overall green tint. I think it has done that. However, a much bigger problem was that the quilt grew slightly, my sewing lacking the accuracy needed when it comes to seam allowances, so the border sections were all too short – even with the extra I had allowed when cutting. (Lesson there!) To solve this I added extra triangles in the border; the original design had five, I made this up to eleven.

I thought quite hard about what pattern to quilt this, and drew out several experimental designs in pencil. If I can’t draw it, there’s no way I can sew it! Ideally I would have liked to do more of a ‘leaf’ pattern, such as a large scale version of my tarot bag design (May 17th). However I found this quite hard to do and realised that with M clutching at my leg, fabric, machine, attention, it was simply not possible at this time. Instead I did another random wiggle shape, but more oak-leaf inspired than the roots and spirals of ‘Winter’ so it gives a different impression close up. I have a way to go before my stitching is properly neat and even, but there are sections now where it is as it should be…

One nice surprise I have had now the quilt is hanging is the effect of approaching it on the diagonal as you come down the stairs. It is almost like having two quilts, the one you see when in the hallway, and the one at 45 degrees. Not something I had anticipated, or ever seen in any other work of art displayed on a stairwell, but something I shall enjoy using deliberately in future for example if I ever find myself doing a stained glass window for a similar position.

One last thought – I have discovered M is much happier once my sewing machine reaches a certain pitch, around humming level… It keeps me on my toes at that speed!