Most of the time I write about successful craft projects on this blog. Today I’m not doing that. Today, I’m going to talk about a recent near-total failure.
I had an idea for a lino print Yule card, which I hoped would be quick and simple given my lack of available time this autumn. Since I have decided not to show it, given how things last forever on the internet and can become separated from the explanatory text, I’ll simply say that it was a very cute snowman with stick arms, coal for eyes, mouth and buttons, a stripy scarf, a carrot for a nose, and a robin sitting on the top of his old-fashioned hat. Unfortunately it didn’t work. I attempted to wash and recut the lino four times to improve it, but after the fourth attempt still wasn’t satisfactory, I finally gave up and had to accept that my efforts were simply not good enough.
Most sewing projects can be rescued. I usually persevere until I have got items at least wearable, preferably loved and well fitting. Yes I have resewn pieces, and occasionally even recut small parts if I have sufficient fabric and know it will then fit right. But when something has to be cut, like lino, or wood, or glass, or even some sewing aspects, I can’t undo and try again.
So I had a choice – to start completely afresh, or give up and buy cards this year. Time was already tight, sooo tempting! Not only that, but as I felt the design was fundamentally flawed, I needed a completely new approach which is sometimes hard to do under pressure.
However, I have learned more from this one disaster than all the previous prints I have made, about the fundamental character of lino and what is or is not possible. For example, leaving only small areas of ink means it slips on the paper – fine on a rubber stamp, or even a woodblock in a fixed press, but not for basic hand printing. Second, lino curls, and so unless it is mounted on a block and the roller held absolutely level, the ink is always going to touch the edges as you roll around the curves. And cutting the blank edges off is no good for then picking the piece up cleanly to place on the paper!
After quite a bit of thought, I somehow came up with another design. It has proved hard to light a fire in our new woodland, because the damp has been relentless and it is too young for much dead wood yet; green sycamore doesn’t make great kindling! My mind brought together these two failures to create some Yule magic. One working a spell for the other, as it were. I ask myself, can two failures make a success? I’ll post the final result at Yule…