Dragons and Trees

Thanks to the changes I made to the shape of my garden last year, it turns out that I now have a place where I can contact or meet with dragons easily. It is my circular grass lawn with paths in from each of the cardinal directions. The first time I tried meeting a dragon there (at their suggestion) it was very easy and felt positive. However for various other reasons, a lot of trees have been arriving in and around my garden over the past month or so, also making the circular lawn their central focus point. This has made it much more difficult for the dragons who, although they are not solid matter and can therefore ignore many material obstructions like walls and trees, found it more difficult against the trees in my own mind! But it worked okay, the trees stepped back and let my normal companion through. But the next time I went out there in a journey, it wasn’t my usual companion who arrived (who is small and bright blue) but a huge, dark green, forest dragon. And I mean huge. I had met him once before over a year ago, and now he was arriving to assist me with a project concerning tree planting.

In a July post I was saying good bye to a large part of my life (Leaving, 14 July) and suggested I would soon be looking forward again. Just two days later a chance conversation has led to a project of trying to get permission to plant a small woodland in a field near me. Spirit moves fast sometimes! It is a bit of a sad field at the moment; a football pitch that is never used, some swings that were taken out last winter when the land they were sited on was sold for a car park, and a footpath that cuts across the middle leaving the bottom end unused by almost anyone. (I say almost, as it is my best picking place locally for hazelnuts and blackberries, but I find so many that I may be alone in doing this.)

At the moment I have just the seed of an idea and a willingness from a parish council member to support my ideas if properly funded and thought through – one of my seeds mentioned in my Lughnasadh post. So I have been spending every spare minute reading up on woodland planting and management, surveying the field for tree species already present around the margins, and drawing plans with the help of Google mapping (although unfortunately the new car park is not shown, involving much pacing and measuring.)

It may all end in nothing. But very fact that a forest dragon showed up gives me hope that a woodland has already been created on the etheric level; I just need to sort the physical out. Flying from my house to the field showed woodland growing strongly, with a tree circle at the centre connected to the grass circle in my garden. There seems to be a common energy line connecting the two. And on the return, the space in between (currently farmland) was also filled with trees. Wishful thinking, or can I make this a reality one day? Meanwhile any pagans locally who can help support this project in any way now or in the future, please get in touch. A tree is for life, not just for Yule…

Lughnasadh

Lughnasadh was on Tuesday this week, a festival I realise I tend to be slightly ambivalent about compared to the other fire festivals of the year. A fairly important family anniversary the day after Lughnasadh may have something to do with that, as well as the fact it normally features the grain harvest as its central message (thanks to its connection and confusion with Lammas, the Christian Loaf Mass) and I am allergic to wheat! However, this year Lughnasadh marked some major unexpected events for me that make me really look forward to the next year (more of which to follow) – so I was feeling puzzled as to why seeds are being madly sown in my life while the rest of the world is apparently at harvest, and wanted to explore some of the meanings of the festival a little deeper.

Lughnasadh, also spelt Lughnasa, Lughnasad, Lunasa etc, is an old Irish festival, named for the Celtic sun-God Lugh, and Nasadh meaning an assembly. It didn’t actually celebrate the harvest, which is frequently a little later in August; however, Lughnasadh was started as a result of the start of growing and harvesting crops. Besides, if the assembly was held at harvest time most able-bodied people would have been too busy to compete in any games!

When the Tuatha de Danaan invaded Ireland, the High King of the Fir Bolg, Eochaidh mac Eirc was killed in battle. His wife, Tailtiu, was then given a high-born son of the Danaan to raise as her own, as a mark of trust. Fostering children was a common way of creating peace between kingdoms, in the same way as marriage was used. The son she was entrusted with was Lugh.

Clearly as a way of inspiring loyalty, this was an inspired choice. Lugh flourished and developed incredible skills and talents, winning the titles Lamfhada, ‘of the long arm’ for his prowess with spear casting, and Samildanach, ‘master of all arts’. He went on to become High King, and was a Druid and a Warrior.

He remained very close to his foster mother, despite leaving to seek his fortune, and was devastated when Tailtiu died of exhaustion on 1st August after clearing a great forest on the plains of Brega in readiness for farming. (The Bronze Age had arrived in Ireland.) When the men gathered at her death-bed, she told them to hold funeral games and celebrations in her honour. As long as they were held, she prophesied Ireland would not be without song. This is of course what Lugh did.

The first games were held at the town now known as Teltown in County Meath, where they continued to be held until the Norman invasion – and informally in rural areas until the eighteenth century. They were known to include sporting contests in hurling, spear throwing, sword fighting, handball, running, wrestling, boxing, horse and chariot racing, staged battles and displays of Irish martial arts, as well as music, poetry, story-telling, singing and dancing, and competitions amongst craftsmen, such as goldsmiths, jewellers, spinners, weavers, and the forging of weaponry and armour. It was also the time that laws were made and announced to the people by bards, and contracts, politics and alliances were agreed between families. Even weddings or handfastings took place by linking hands through a hole in a stone, which could be dissolved the next year by walking away from each other if it didn’t work out. August remains one of the most popular times of year for weddings. Violence was not tolerated for the period of the festival, all those who came had to agree to a truce.

So it was Tailtiu who made the sacrifice so that man could plant corn, offering herself as the divine feminine. She was not afraid to work hard, and was an excellent mother in all senses of the word. Her festival reminds us to look at all our talents, use them, and as well as reaping our harvest, see what we can give back to others, and to the Earth. In that sense I now understand where my new seeds have come from, and what responsibility I have to nurture them and help them grow.

Lughnasadh Quilt

Continuing my series of quilted display cloths I have been making, here is my finished quilt for the beginning of August and the colours of the grain harvest.

Lughnasadh Quilt


The design is still based on squares, as I did for Litha, but this time I did not have so many suitable fabrics available to me so decided to make some of the shapes bigger. This made it quite entertaining to sew together, since I could never follow any regular pattern!

I have deliberately used some of the same fabrics as for Litha, and would like to make that a passing theme through the year: that each quilt has a relationship to the ones either side through sharing some colours, as well as having some that are unique to only that quilt. In this case I am unlikely to use the brightest yellows for anything other than Lughnasadh, but I used the gold prints for the Litha quilt, and will use the darkest red / orange fabric for Mabon and also for Samhain if I get stuck with a lack of other suitable fabrics.

It is now forming part of my display as we prepare for the coming festival, and has been adorned with candles, flowers, and some corn dollies we made last year. For the first time we have some wheat in the garden, sown by M at school as part of her ‘Spring Garden’ and transplanted here in April. We will be able to ceremonially cut it on the day and place it centre stage.

Fleeting Beauty

I enjoy the changing of the seasons, and with each season its special flowers. I have very few evergreen plants in my garden, even flowering types, because I find them stiff and dull for so much of the year – with never that promise of a fine show when it is their turn. Roses are great for flowering from June to November, but even they would be too familiar if they didn’t take a break from time to time between each flush of new flowers. However, there is one flower which the books don’t tell you about, which I am finding is testing my patience in the opposite direction: the waterlily.

Until digging the pond last year, I had little experience of any water plants, and relied on best advice from the books I found. It has mostly been a wonderful journey of discovery and excitement, with a whole range of different shaped leaves and flowers and some interesting growth habits, and I enjoy discovering which wildlife can be found on which plants. Most have grown well, and flowered well, except for the waterlily. Last year it produced a few leaves and one flower bud, which as far as I could tell, sat sticking just out of the water for days and days, then fell over and died. I was disappointed, but as a new water gardener, not too worried as I thought it just hadn’t established yet and the weather conditions were wrong and the balance in the pond hadn’t quite sorted itself out yet. After all, not all peony buds make flowers if the weather is wrong, but there are always enough giant blooms to give a good show for a few weeks.

Waterlily 4, barely open

This year I have therefore been pleased to see a succession of buds come to the surface on my waterlily, approximately one a week. This is the fourth in the photograph. You will however see it is only half open. And there lies the problem. After spending well over a week as a bud, the waterlily finally decides it is time for the flower to open. If it is a warm sunny day, the flower opens up like the pictures in the book and looks beautiful. Truly stunning. I saw one. But if the weather is miserable and cloudy, or worse actually raining, then it half opens for two days, like this, before giving up and falling over sideways for a few days before disappearing back into the depths. I really wanted to take some pictures of a beautiful open flower; I didn’t realise that first one was going to be the only one to fully open!

Waterlily 5, mostly open

Luckily for my peace of mind, flower number five followed just a day later and did finally get three-quarters of the way open briefly this afternoon. Even more luckily I was here to photograph it at the right moment. Normally it is earlier or later in the day that I am outside, not 3pm on a week day.

The waterlily is not, of course, the only flower to spend most of its life half-open, and only open fully when the sun is shining. Tulips do this all the time. Some even look quite odd on a sunny day, with their petals wide; they were clearly bred for a Northern European climate. The little species tulips that grow naturally further south look great opened out, because the interest is on the inside of their petals, but most hybrids are bred to look good and be photographed half closed. But my fluted tulips often last 5 weeks for each flower, and even the fussy ones and the species last 2-3 weeks, with sometimes more than one flower per stem. Tulips would never have become a garden classic if they lasted a mere day or two!

Daylily

Daylilies (Hemerocallis) illustrate the other side of the picture – they do just last a day. But then they get out of the way so as not to spoil the show for tomorrow’s flower. My plants may be more leaf than flower, but there are always several flowers to be seen each day in the summer.

In Lisa Beskow’s ‘The Flowers’ Festival‘ the Rose and the Waterlily are both queens of equal rank; all the other flowers are below them. But while the rose presides over the festival, the waterlily is fussy and does not leave the water. Everyone else comes: other water flowers such as reeds, rushes, Miss Calla, Yellow Flag and the yellow water lily; even the hothouse flowers like the Miss Pelargoniums, Mrs Myrtle and the grand Lady Fuchsia, once their fears about cold have been allayed. Says it all really!

I think I have a choice. I can enjoy the challenge of growing something so fussy, doing my best to contact its Deva and find out what it wants and then struggle to meet its needs in my windswept Derbyshire garden, or when I next rearrange plants in the pond, I can reconsider whether it is happy here. And yet I can’t help but feel disappointed. If it was something really rare, I would be proud of my occasional flowers. Instead it is like a Camellia plant I removed a year ago because every year it was full of promise, covered with buds, and then every year it got frost on it at some point so the flowers went brown and I would have to go round pulling them off because I hate the sight of a plant smothered in dead flowers. I replaced it with Camellia ‘Debbie’, which has been far more successful – the flower shape is slightly unusual with larger petals around the outside and smaller in the centre, so the centre never gets frosted because it is protected. And when each flower is finished it falls off by itself. Add to that it is a stunning rich pink.

Meanwhile I planted another rose last month, completely the wrong time for rose planting, just because I found a gap in a flower border and it looked pretty. (I also had a voucher to use up at the garden centre near the school M has just left and it was my favourite of everything they had in stock.) I’m glad to say it seems very happy and has sent out new leaves.

Leaving

Yesterday was the last day of term for us, which has meant saying goodbye to a place of unconditional love and spiritual learning, and where M and I have been going for four years. I always imagined we would be there ‘forever’, becoming part of the school and the community, but I had a shock just over a year ago to realise that we wouldn’t be.

There are times when I just seem to ‘know’ things, which defy logical explanations. It usually happens when I just can’t ‘see’ the future of something, for example when pregnant with M and considering car seats, I realised we wouldn’t have the same car – and a different one may have different fixings. I assumed we would sell it since it was over ten years old; however its end was rather more dramatic in a high speed motorway collision in which no one was hurt but the car was written off, three months before M was born. Similarly, there was no reason for me to think we should leave this school, yet I trusted my instinct from a year ago that we might not still be there when M reached school age and made plans in case that proved to be true – I didn’t want to end in a crash again. Because over the past fifteen months, starting before I was even properly aware of it, there have been many small signs that it would be time to leave at the end of this summer term. Both pushes and pulls.

It has been a hard journey at times, and involved much frustration, sadness and soul searching. I haven’t always felt ready to be ‘moved on’, to leave the cosy duvet of love and protection (which I am told is common to all Steiner schools) and take what I have learned out into the ‘real’ world. The last few weeks have seen me being tested in unexpected ways, such as many friends expressing fear about us leaving, and an expectation that we will be back. I don’t know if this is to test my resolve, or is a reflection of my own inner worries; or whether it is more about them and my confidence about leaving is what they themselves need. (Or the reality that sometimes people do come back…) There is also much I shall miss including the other parents and some teachers who have become friends.

Luckily we have been able to make a really positive choice to a wonderful little school in the village that we can walk to, and it just feels right as the next step forwards – although I suspect ‘luck’ doesn’t actually come into it. The universe is giving us what we need next. I keep reminding myself that as with everything in the wheel of the year, there cannot be new beginnings without there being endings, which is what I am acknowledging this week. Soon I will be looking forwards again.

Amidst feeling sad however, I was incredibly touched by a teacher-friend lending me two books to read that she had just been given because she knew I would enjoy them and also would read them before she got to them. How or when I will be able to return them to her I have no idea; for various reasons it will probably be months before I see her again, yet she has trusted me with her own gift. Blessings indeed, and possibly a sign that it won’t be the end but a transmutation into something different and new.

Unexpected Inspirations

In early May I walked past a poster which read:

“I am the Way and the Truth and the Life.”

That was all, no further explanation given.

My immediate thought was wondering who it was referring to, and if there were people who believed there was someone in particular who was all of these things. (Okay it didn’t take me too long to realise that the poster was outside a chapel… I am a Pagan first and not a Christian.)

Then almost straight away a reminder came to me:

“As within, so without. As without, so within.”

Or in other words, the macrocosm is reflected and present in the microcosm and vice versa. What applies to one applies to all, and what is present in the world also applies to me as a tiny part of this world. This is my interpretation as influenced by Rudolf Steiner, slightly different to the more familiar Hermetic phrase “As above, so below, as within, so without, as the universe, so the soul…” which is usually interpreted to mean that our thoughts shape the world outside of us, and in one direction only. Therefore as well as an emotional reflection, I also see the microcosm / macrocosm relationship in a physical way such as the way patterns are repeated on every scale, eg spirals as building blocks of life on every scale, or the dome of the earth reflected in the arch of our feet which in turn reflects our connection to the earth, or the weather reflecting and also influencing our emotions. So if this phrase applies to a microcosm of one person, does it also apply to the macrocosm?

I repeated the original phrase over again in my mind, to myself, – and suddenly thought Wow! What a profound statement! Because I am, or should be, all of those things for myself. I follow my own path, and only I can know the way for myself. I must look within on a regular basis to know that way, no one else can tell me what I should do. I am also my own truth, with my own sense of morals and ethics and what is right for me to do. Others have their own truths, which may be different to mine. And life? Well this is my life. I have chosen it, I own it, and I should live it as fully as I am able. No one else.

The phrase became a personal mantra for a few days, giving me a powerful reminder of just what and who I am – divine, Spirit, Me. I need reminding sometimes. And the real wonder is that it applies equally to everyone.

Colours for Summer

I have been rather uncreative for a few weeks, since wearing myself out sewing Morris dancing clothes… and then suddenly realised that the lack of a project was why I was feeling unfocused and lost this month. Clearly I don’t know myself, and what makes me happy, that well yet! Luckily finding a new project is not something I have trouble with – just keeping them within bounds given time and space constraints. (Building work continues in the house, making dust and chaos as well as preventing wood or glass work.)

So a week ago I had an idea to make my temporary seasonal display area (half a mantleshelf) a proper cloth cover, by buying a strip of fabric, edging it, and putting it in place in time for the summer solstice on Wednesday. If I found enough suitable fabrics, I could even change the colour for each sabbat. However, not only did I fail to get near any shops, it being too hot, I also should never really have imagined I could stop at something so simple.

Having visitors all weekend required an empty sewing table in order to eat off it, and a lot of thinking time. By Monday morning I had a plan – to use up my scrap pile and make a simple quilt-style top. One for each sabbat of course, starting with midsummer. That gave me Monday to make it.

Suddenly a difficult question loomed. What colours to use for midsummer? All the other seven sabbats have colours I associate with them, but not midsummer! How could this be? So I wrote a list, to see what was left over. (It is slightly different to other people’s lists, but then in trying to write this after finishing, I discovered a lot of variations!)

Imbolc – Greens and white – holly, snowdrops
Ostara – Pastel shades – eggs, new shoots, pussy willows, daffodils
Beltane – Greens and light colours – forgetmenots, tulips, honesty and ribbons
Litha – ???
Lughnasa – bright yellows – hot sun, ripe corn, poppies
Mabon – Reds and purples – apples, plums, late harvests
Samhain – Orange, red, brown, black – pumpkins, autumn leaves, and descent into dark
Yule – Greens, Red, Gold – holly and yew

And what I decided on was blue skies, sunshine, and a garden absolutely full of flowers. Mine is full of roses, campanulas, hardy geraniums, foxgloves and peonies right now, so they have inspired the colour choices.

My method of construction was very simple – strip piecing with only a few triangles and rectangles to break up the squares. The colours were arranged fairly randomly, and for once I didn’t worry too much if I sewed the wrong pieces together from my initial plan. Some of it will be covered anyway. There is no wadding, so it was just sewn onto some plain cotton for backing. Quilting is also very simple, just sewing around the edges of a few pieces through both layers – this also sewed up the hole. Total time to be useable was about 4 hours including cutting and laying out time for which I had help, with an extra ¾ hour on Tuesday morning to quilt it.

Here’s how it came out. A bit crazy, but fun. You might notice by the length that I have now managed to purloin the whole of the mantleshelf for my display!

Quilted Summer Solstice display cloth (8″ x 52″)

Trellech

Not a stone circle this time, but standing stones and an earth circle nearby…

Trellech today is a small village, located just over the Welsh border from the Forest of Dean, but it is currently the subject of archaeological investigations to discover the centre of the huge medieval city it rapidly developed into during the thirteenth century in order to make weapons for the de Clare family. An original ‘iron-rush’ town of 10,000 people, at a time when London only had 40,000. Its boom years ended just as abruptly however, after a raid in 1291 over alleged deer poaching.

The name Trellech means ‘three stones’, although that is not the only site of interest in the village. There is also a ‘Turret Tump’ and a ‘Virtuous’ well. I did not manage to visit the well unfortunately, as the water apparently runs directly under and in line with the three stones therefore linking the two sites. But what I have managed to find out afterwards is that it was previously known as St Anne’s well, probably from Annis, the Celtic goddess of rivers, water, wells, magic and wisdom, suggesting it was used in pre-Christian times if not earlier. There are stone seats for travellers and niches for offerings or cups, and it was visited regularly until late seventeenth century, as well as by modern pilgrims tying offerings to nearby trees. It is said to be fed by four springs, three of which contain iron (as might be expected given the ore that was mined locally) and each of which was said to heal a different disease, particularly eye ailments and women’s problems.

Both stones and tump have generated legends over the years, mostly connected with an eleventh century Harold – though clearly they are much older than this. They are however depicted on the sundial on the church… There has been a church there since the seventh century, such was the importance of the site.

Three stones of Trellech

The three stones rise out of the earth in the middle of a sheep field, leaning in random directions but with their bases in a straight line. Photos cannot do them justice – they are huge stones, towering over me. The tallest is around 15 feet high. The conglomerate stone is known as ‘puddingstone’ and looks much like weathered concrete with the aggregate showing on the surface. There are possibly cup marks on the middle stone.

Turret Tump


Nearby is the mound, around 20 feet high, which most sources describe as being medieval and built as the motte for a castle. There was indeed a castle here in the twelfth century, probably belonging to the de Clare family, but I also read suggestions that the mound was there in Roman times. I wondered if it may in fact be much older, and contemporary with the stones. Sadly it feels somewhat abused, with trees now growing on its summit and brambles on the sides.

While not proving anything, I tried meditating on the two sites I had visited to see what ideas came to me. Here is my summary:

“Three stones, almost like ribs. Very male, a line to exactly balance the mound which is female. Very different sort of people / tribe who built these compared to Derbyshire circles, with very different purpose which is beyond me to understand at the present time. Slightly older, but different. Still working with earth energies, just in a different way – which I don’t have means to access [ie feel with my hands or body] like in a circle or a barrow. Were more hills like this, balanced by stones, but not generally recognised today – like Silbury hill yes, but often smaller. Somewhat abused by turning it into a castle, but it didn’t last long!”

Following Woodland Paths

I was lucky enough to be camping in woodland for a week last week, in an area hitherto unfamiliar to me, the Forest of Dean. Unlike that other ancient hunting forest, the New Forest which has more moorland than woodland, here trees go on for miles: an amazing expanse of green. The type of trees vary, but where we were camping (near Symonds Yat) it was mainly beech with some oaks and occasional yews, plus rare native whitebeams and small-leaved lime trees around the edges by the cliffs.

One evening towards the end of the week I went for a walk by myself, and having not been there yet, set off in search of the nearby hill fort.

Dog rose, Rosa canina, flowering in an old quarry

There were no direct paths shown on the map from where I was to the fort, but this is a woodland which seems to generate many paths of which only a few are planned and plotted. I started out well, past a disused quarry where I found dog roses flowering, and then briefly explored some caves. A choice in the paths, I headed deeper into the woodland and then along in the general direction of the fort. Another choice, I chose woodland. I regretted this fairly soon as the path veered off downhill towards the river Wye, so I took the next available turning back uphill again. This path continued for a distance, until I met with a wall and a gate that was too blocked with fallen leaves to open. Jumping over I met with a track only a short distance away, going in roughly the right direction; I kept an eye on the compass and also the time. It went well for a short distance, even being built up over a rocky section to leave a smooth path. Then a couple of fallen and now dead beech trees blocked my way. The track continued under the first, so I climbed my way through. Then it petered out to nothing. I headed up the steep bank, picking my way carefully and wishing I had hiking boots on instead of trainers. I kept expecting to come to another path, but it seemed some time before I eventually hit on a higher track. Having few landmarks and no clear view since crossing the wall, I managed to follow this the wrong way for a short distance. Realising my mistake, I turned around and discovered where the track turned in the right direction a short distance back from where I had joined it. Further along there was a style over the wall that I had crossed earlier (no the wall wasn’t straight), so I took note of it for my return. After another turn, the track led me to open space at the top of the hill, where longhorn cattle were grazing, and there, finally, lay the hill fort before me.

I was out of time, so I went no further that evening. Instead I followed the other path option I had seen, and returned to the caves in half the time of my outward journey. Pretty, but no drama. We used this path the next day to all explore the hill fort, where we found wild strawberries just ripening.

It occurred to me that had I taken the direct path the first time time, I would have had a very different walk and experience. I had expected to have trouble finding the hill fort; as a result I hadn’t looked for an easy route and therefore my expectations were met. It was tricky to find the right hill going my way! It was also thoroughly enjoyable and adventurous and fun! I had a proper woodland experience, connecting with what was around me. I saw a boar, deer, heard foxes, not to mention rabbits and squirrels, plus all the birds from buzzards to robins just on that one walk. Not only that, but on my return journey I fell in with a local who showed me some of the more hidden delights of the area – which I was able to share with my family the next day.

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Beech woodland, with edge of rock spiral in the corner.

While I am writing about my woodland experiences, I also had an interesting experience with a tree on my last day. It was while walking a rock spiral someone had made – I reached the centre, looked up, and my eyes immediately fell on this tree in the picture. It seemed to be watching me and being amused, yet at the same time friendly and open to conversation. I felt welcome in the woods.

Friendly beech tree watching me.

However, the lesson I received when I meditated on this later was quite different. My notes read as follows: “Beech tree I was drawn to – an individual, standing by itself with its own character, despite being one of many in the forest. Similar but not identical, I would know it again. I could have been drawn to the group of 6/7 all growing so close they were almost as one, but I wasn’t. I didn’t even photograph them – light is an excuse and could have been overcome had I felt the need, [they were rather dark!] it was the individual I noticed, and that says something about me, and how I feel about myself, how I want to be. Unique, maybe even a character.” That’s told me then!

Stone Circles – Nine Stones Close

Nine Stones Close circle as seen from the top of Robin Hood’s Stride, showing how it fits into the surrounding countryside. The circle probably had one extra stone to the right of the four remaining, but may have extended left as far as the oak tree. (All photos can be clicked on to enlarge.)

This is a circle I have visited previously, as it is almost impossible to miss if you are in the area. The four remaining stones are apparently the tallest in Derbyshire, all well over six foot. I do not know why it is called Nine Stones Close, as there are not and probably never have been exactly nine stones. Drawings exist from the mid and late nineteenth century showing 7 and 6 stones respectively, and estimates of the original number seem to be 11 or even 13, which makes sense on the ground; I felt it larger than 9. There are suggestions it may have actually been called Noon or Moon Stones Close, since the moon sets over Robin Hood’s Stride, a major rock feature in the area. (Robin Hood in this instance is another name for the Green man, the old God of fertility.) The circle is also known as the Grey Ladies, who were dancing until turned to stone when Robin Hood p****d on them from the stride… a very familiar story of dancers being turned to stone although the addition of a giant standing on the rock outcrop makes it slightly more local.

Two northern stones of Nine Stones Close circle, the further one showing the remains of a cup on top.

Each stone has its own character, all quite different in looks if not in size. Two originally had a cup in the top to catch rainwater, although these have both weathered a channel so that they now leak. There is one with a ‘smile’ again, although my imagination may be working overtime here. They are all of local gritstone and probably did not travel very far – there are some pretty large boulders scattered about the area only a couple of fields away, in addition to the taller outcrop of the Stride.

As a circle however, it is broken. The position where a stone once stood between the two pairs can be felt, as can the next stone around the circle in each direction, but then it fades out for me. So sitting there, I did not get strong positive feelings and circling energies that I get from sitting in a completed circle. It is also a fairly windswept site, with little intimacy, and the surrounding countryside kept drawing me out of the circle, rather than focusing my energies within. After a few minutes of getting nowhere, I decided to continue on my walk.

The four remaining stones of Nine Stones Close circle in Derbyshire.

A few days later I returned to the circle in a journey. Again, the circle felt broken and my first feelings were of frustration and disappointment that I didn’t seem to be able to connect with it or learn anything more. However I was then shown a way of ‘mending’ the circle by placing quartz points where stones should be, pointing along the energy lines I could feel, and amplifying what was there. I did this and continued placing quartz points until the circle was complete. Suddenly it felt far more worthwhile, although the energy was still very low. Then I remembered how the name might have been Moon Stones, and ‘fast forwarded’ to night time and a full moon.

Nine Stones Close stone pointing towards Robin Hood’s Stride to the South.

At this point the circle and surrounding area came alive. I became aware of literally hundreds of people there, mostly wearing dark clothing, standing outside and behind the circle to watch the rising of the full moon in silence. Out of respect most did not enter the circle, although there was one man, possibly a priest officiating in a lighter coloured cloak, who remained within it and at times others entered for healing while the moon shone on the circle. My focus was poor and I did not stay long, but I had other impressions of other times of year when the moon was not in quite the right place or quite full when smaller groups of people or individuals would come and benefit from ‘moon power’. I interpreted this as healing, divination or intuition. This may all be my imagination working overtime, or there may be something in this, I have no way of telling. I did however feel this circle, once mended, as very different from those I have previously written about and far more ceremonial than small ‘family’ circles as I now think of the last one I visited.

John Barnatt in his book ‘Stone Circles of the Peak’ suggests that tall stones were used for this circle so that they could be seen over the trees in what was a relatively lowland, wooded area – in fact the lowest of all Peak District stone circles. There may be something in this as nearby I had read of and seen a few pictures of a circle known as ‘Dudwood’, so after visiting Nine Stones Close circle I made an attempt to find it. Looking for stones through trees is surprisingly challenging! Shadows and stumps catch your attention, but stones do a good job of hiding. I found various stones, but failed to find any arranged in a circle.

The three references I rechecked afterwards (a 6-figure grid reference, and two Lat/Long positions) were to three different spots, none of which are exactly correct. (I know that because I had looked in two of the three places, and the third was too steep and wooded.) From the photos I think I now know where to look (not in the woods!) so may try again one day, but as it is most likely a ‘hut circle’ remains and not built for the stones themselves, it is a little low on my priority list.

Wood-sorrel, Oxalis acetosella

However I had a really special experience in the woodland by my looking. (A path runs along the outside of the wood, on the edge of Access Land.) My namesake Wood-sorrel carpeted the floor, the last of the bluebells were now faded but still good, and I found some very beautiful mossy rocks. So the search was worthwhile even if unsuccessful. Also it will remind me that sometimes it is worth following other people’s descriptions of how to find a circle, especially when it is not marked on a map in any way – although in this case it was a completely unplanned walk that was decided in the car!

Bluebells in Dudwood, seen from the access land. Some of the mossy rocks can be seen on the far right by the wall and path.