Sewing in Circles

Knotted Button

A winter coat … and an opportunity to try out some different knots. These (there are three, but it didn’t feel right to photograph the whole thing) were fun to make, although a little tricky. I like to use knots to bind good emotions for the wearer, and it felt good to have three circles in each.

Three is an important number in Neolithic and Celtic art – I think of the triskele with its three spirals, or the triquetra of three interlocked semi-circles. There are three realms to our world: Earth, Sea and Sky, and within these we live through three stages of life: maiden, mother, crone. Our health is often seen in terms of Body, Mind and Spirit. When we journey, we choose Upper, Middle or Lower Worlds to explore.

Goddess Brigid has three aspects, as does The Cailleach. Badb, Macha and Morrigan work together and are collectively known as The Morrigan.

Three makes me think of a tripod, or a milking stool, perfectly balanced no matter what the terrain, each leg supporting the others. It is the potential of two parents with a child. A triad in music is a perfectly balanced chord, major or minor, that forms the root of Western harmony.

There is a lot of energy stored in three-ness, as there are always forces acting together. It is not a stable energy like four is, there is constant change, growth, development. Things can happen. The triskele has three legs going out from the centre, balancing yet full of movement, looking outwards. The child will pull forwards. Triple Goddesses include Creativity. Triads can become counterpoint and fugues as well as chorales. Yet there is perfection and completeness within that three-ness.

Sewing these knots on took longer than making them, and needed me to turn the coat on each stitch. Definitely sewing in circles.

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Braiding and Knotting

Many years ago, when we had family holidays on a narrowboat, I got interested in ropework. New ropes always needed ends or loops splicing, many different knots needed to be tied quickly and accurately such as a Lark’s Head, Round turn, Half Hitches, Clove Hitch, or a Bowline in its various forms. Occasionally I had fun trying out some of the more decorative knots; I have used a monkey’s fist as a keyring for many years.

One knot I never found a use for was the Turk’s Head, as we didn’t have the sort of tiller that needed ropework on it. It is a knot or braid that could be used on any cylinder, particularly where a marker or a handgrip is needed, I forgot about it for many years, until I recently became interested in the idea of making simple bracelets or necklaces out of knotted leather cord. Paracord has become popular for knotting and wearing, and the Turk’s Head often photographed on the cover of such books; however I particularly wanted things that were natural and untreated, and that I could wear to connect me to spirit. What works in rope should work in leather cord, I thought!

Leather Turk's Head Bracelet

Leather Turk’s Head Bracelet

This was my first one, which I still wear sometimes. It is not perfect, being a little loose in the weave, (leather does not slide easily over itself like modern ropes and cords do, nor can I simply heat-seal the ends in place) but I like the simplicity of the triple nature of both the braid and the number of strands. Nine is usually the number of Spirituality, of completeness – there are nine complete circles of the leather tied in a never ending ‘Eternity’ knot. Three on its own is the upper, middle and lower world, or the number of potential, creativity and self-expression. There is another number woven in that I didn’t expect, and certainly didn’t plan for – master numbers eleven, or twenty two. These are the number of curves or bights on each side. Eleven is the ultimate in creativity, while twenty two is capable of putting the creativity into practice.

Wearing it, I feel an inner knowing that everything is connected. It seems to help when I am feeling stressed. I also feel a connection to the three worlds. I have woven friendship bracelets and similar items using embroidery threads and felt connected to the triple goddess, but this is different, more primal, more basic. It connects to the Earth, to animal kingdoms, and to plant kingdoms, yet with an awareness of what also lies above. And it wants to get things done. Most unexpectedly, it has formed one of a series of recent lessons to me in how wearing a particular piece of jewellery can influence me in a positive way. Somehow I feel more will follow, as its work is not yet completed.