Twisting Backwards

When I was a child I had a great deal of trouble learning to tie bows and bowlines. I did eventually learn, but mostly by doing it my own way in understanding the shape of the knot and the way it was formed rather than following rote instructions like “the rabbit goes up the hole, round the tree…” for a bowline. (A bowline can be made perfectly every time by knowing you have to tie a reef knot but come out the ‘wrong hole’ at the end, but most people don’t seem to do it this way.) Many years later I finally understood why I couldn’t follow the usual instructions – because I twizzle my spaghetti backwards.

This may seem a strange connection. However, if the hole is made backwards for the rabbit, it falls apart at the back of a tree. Similarly every time I tried to twizzle spaghetti, I could never follow instructions or hand guidance – and I eventually realised that I could naturally wanted to twizzle in the opposite direction to everyone else. Now I have discovered I swirl drink in my glass backwards to other people as well. (I am right handed but naturally swirl anti-clockwise.) I also have trouble doing anything with a screw thread the right way unless I work it out each time.

In times gone by, this would probably have marked me as a witch. They were probably right… I have noticed I naturally move around a space in a clockwise direction – which is great for casting a circle or building energies. Apparently over 90% of people who enter a shop turn to the right first – and shops are laid out with this in mind. By going clockwise this takes me to the left and usually gets me to the part of the shop I want much quicker, eg basics or underwear rather than expensive outfits, in the average department store. Even my supermarket wants me to turn right first, with the checkouts to the left!

Exploring this topic makes me wonder what left-handed people do, who were of course labeled as ‘sinister’ – meaning evil and threatening, while right-handers are supposedly the just, correct and proper way to be. I have been intrigued to discover left-handed pencil sharpeners and corkscrews exist…

Braiding and Knotting

Many years ago, when we had family holidays on a narrowboat, I got interested in ropework. New ropes always needed ends or loops splicing, many different knots needed to be tied quickly and accurately such as a Lark’s Head, Round turn, Half Hitches, Clove Hitch, or a Bowline in its various forms. Occasionally I had fun trying out some of the more decorative knots; I have used a monkey’s fist as a keyring for many years.

One knot I never found a use for was the Turk’s Head, as we didn’t have the sort of tiller that needed ropework on it. It is a knot or braid that could be used on any cylinder, particularly where a marker or a handgrip is needed, I forgot about it for many years, until I recently became interested in the idea of making simple bracelets or necklaces out of knotted leather cord. Paracord has become popular for knotting and wearing, and the Turk’s Head often photographed on the cover of such books; however I particularly wanted things that were natural and untreated, and that I could wear to connect me to spirit. What works in rope should work in leather cord, I thought!

Leather Turk's Head Bracelet

Leather Turk’s Head Bracelet

This was my first one, which I still wear sometimes. It is not perfect, being a little loose in the weave, (leather does not slide easily over itself like modern ropes and cords do, nor can I simply heat-seal the ends in place) but I like the simplicity of the triple nature of both the braid and the number of strands. Nine is usually the number of Spirituality, of completeness – there are nine complete circles of the leather tied in a never ending ‘Eternity’ knot. Three on its own is the upper, middle and lower world, or the number of potential, creativity and self-expression. There is another number woven in that I didn’t expect, and certainly didn’t plan for – master numbers eleven, or twenty two. These are the number of curves or bights on each side. Eleven is the ultimate in creativity, while twenty two is capable of putting the creativity into practice.

Wearing it, I feel an inner knowing that everything is connected. It seems to help when I am feeling stressed. I also feel a connection to the three worlds. I have woven friendship bracelets and similar items using embroidery threads and felt connected to the triple goddess, but this is different, more primal, more basic. It connects to the Earth, to animal kingdoms, and to plant kingdoms, yet with an awareness of what also lies above. And it wants to get things done. Most unexpectedly, it has formed one of a series of recent lessons to me in how wearing a particular piece of jewellery can influence me in a positive way. Somehow I feel more will follow, as its work is not yet completed.