Oak Sunrise Window

Oak Sunrise Window

Oak Sunrise Window
(Click for full size picture)

Here is the (almost!) final result of a project that has been several years in the making. It is in fact the last stained glass project I completed when pregnant with M… but for various reasons has taken until now to actually be fitted into place.

The window space used to be external, but is now internal and the bottom half of the window will lift up as a serving hatch. (Once the sash cords and weights have also been fitted!) Hence it is designed so that it will still work as a picture when not fully closed. The original window was a little larger than this, we have made it a brick smaller at the sides and top, reversing the side of the sash opening in the process. (Those familiar with sash windows will know that they are set into the wall behind the front skin of bricks, a practice introduced in the 1700s to reduce the fire risks. It is partly what gives genuine sash windows their character, and while not providing the recesses or windowsills so useful for putting things on that a casement window has, they are actually very energy efficient. Even more so when double glazed…)

Besides the obvious picture, there is some personal symbolism in the design:

Oak tree – for protection and strength, for thanks, for journeying from.
Stag – represents partnership, balance, majesty, confidence, vitality. A friend in this world and in other worlds. Grounding. Trust.
Sunrise – beginnings, hope. There is always light on the horizon.
Stars – great bear (family animal), ploughing a furrow, pointing the way, some say the source of the seven rays. Also a saucepan with a bent handle… well it is the kitchen on one side!

It was tempting to use a version of this design for a Winter Solstice card, but of course here the oak tree is in the full leaf colours of midsummer. From a point of view of living with it as a picture, it feels relevant for at least two seasons each year, compared to flowers which only have one season.

For the technically minded, the glass used is mostly Kokomo, some Spectrum and some Dynasty. The stars are bevels. The antlers were done by cutting the heart out of the lead came where it overlaps the glass; they were soldered in place and cemented as if they were attached as normal.

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Tree Stories 10 – Scots Pine

Scots Pine story is now posted on its own page, under tree stories. Please click here or follow the links above.

Probably my nearest Pine Trees...

Probably my nearest Pine Trees…

This is a tree I have been familiar with all my life, and yet never really known; it has always felt rather remote. In its wild state, it stands high on the hillside on dry soils, often in small groups pointing the way. The Six Pine Trees of Pooh Bear’s world are a landmark and indicated on the map although little featured in the stories. Arthur Ransome had a pine tree to hold a lantern marking the way through the rocks into harbour in ‘Swallows and Amazons’, then in ‘Swallowdale‘ a row of four pine trees pointed the way on an otherwise bare hillside. Alfred Watkins wrote in ‘The Old Straight Track’ that Scots Pines had been marking ancient sites on Leylines for millennia, despite the fact that he admitted to never having seen an old tree. He was most likely wrong in the timing, since many Scots Pines were planted in England by Landscape gardeners and artist landowners of the eighteenth and nineteenth centuries seeking to romanticise the countryside, tumuli being particularly prone to new plantings of Pines or Beeches, but right in them as a landmark. Single trees were often left when others were cut down in order to mark drovers’ paths, some of which may themselves have followed leylines. Single trees were also planted in the Highlands of Scotland to mark the burial sites of warriors, allowing their spirits to climb the tree into other worlds.

Scots Pine is one of our three native confer trees (the others being juniper and yew), with the Caledonian forest dating back to the last ice age. It is a fast-growing, short-lived tree compared to many, but will grow from seed in its own shadow and thus regenerate without the need for a natural disaster. It will also grow happily with other trees such as birch or larch, sheltering them as they grow without casting too much shade. Many animals rely on pine forest, or the blaeberries and cowberries that frequently grow in its shade. Notable species include red squirrels, pine martens and Scottish wildcats, as well as birds such as Scottish Crossbills, Black Grouse and Capercaillies. Roe and Red deer like eating pine so much they prevent the natural regeneration of the forest. Wolves, Bears, Elk, Beavers and Lynx all used to live in the pine forests, the latter two may do again as there are many who wish to see their reintroduction. Sadly it is often treated as a monocrop in plantations to produce construction and joinery timbers, or telegraph poles, forests which have no understory and support very little wildlife.

Pine is very high in vitamin C, and the needles can be used to brew a healing tea for bronchitis and other chest complaints. The smell of fresh pine is good for clearing congestion, clearing the blocks in what we can see and uplifting us. Pine trees reach for the sky. This is particularly relevant in the middle of winter when many of us need a boost, and gives us a good reason to have a pine tree in the home for a few weeks! In fact it was the huge pine bonfires lit at Yule in various parts of Northern Europe which gave rise to the tradition of the Yule Log, and later the Yule or Christmas tree.

In Roman times it was not Yule that celebrated the pine tree however, but the Spring Equinox. The Earth Goddess Cybele turned Attis, her lover, into a pine tree after an incident in which he was unfaithful to her and then castrated himself in remorse. In some versions online he appears to have been tied to the tree and gored by a bull or a wild boar. I have read two endings to this sorry tale, that the tree was burned after three days and Attis was reborn from the ashes, and that Zeus later made him evergreen so that Cybele could have him as a companion all year. The Spring rites paralleled those often enacted in late summer with the corn spirit: in a three day ceremony, March 22nd-25th each year, an effigy of a man was made and attached to a pine trunk and bedecked with flowers. The second day trumpets were blown, and on the third a sacrifice, usually of blood from the Priest, was made to appease the Earth Goddess in order that Attis may be resurrected and the fertility of the Goddess restored.

The pine cones were often seen as phallic, continuing the male fertility theme from Attis and Cybele – despite actually being the female flowers. The double spiral formed by the seeds was also a symbol of life and fertility. This may be where the idea of pine being an aphrodisiac came from… Pinecones are sometimes fixed to the end of a staff or wand and used in fertility magic, while pine needles are sometimes used to purify a space and remove any negativity.

Finally from an art and crafting point of view, pine is used to make paper, the sap is used to make turpentine for painting and varnishing, and rosin used for giving friction to violin bows. And when a break is needed, it formed brewer’s pitch to line beer casks, and its close relative sabina pine flavoured retsina wines.